Representations of Anglo-Saxonism in Modernist Culture

本研究关注了盎格鲁-撒克逊主义在现代主义文化文本中的各种表现：D·H·劳伦斯的《亚伦的棍子》中的非白人的跨太平洋运动和移民，亨利·詹姆斯的《权力的缪斯》中的大英帝国和美国之间的种族、语言和地缘政治的联系和分离，弗吉尼亚州伍尔夫斯·雅各布的房间和相关文本中欧洲以外的战争和地区政治冲突的形象和痕迹。我的读物通过分析现代主义时期英美之间的跨国文化合作和对抗，澄清了这些地缘政治表现与英国帝国主义的跨国自由主义话语之间的密切意识形态联系。换句话说，大英帝国及其全球帝国文化已经被揭示出在与美国和太平洋地区的民族主义和帝国主义列强的矛盾关系中被(过度)确定和重新定义。特别是，我对第一次世界大战伍尔夫代表的重新思考已经发表在第十二届弗吉尼亚·伍尔夫年会的精选论文中，名为《世代、遗产和帝国主义：希腊-土耳其战争和雅各布的房间》。在第九届国际D·H·劳伦斯会议上，我读了一篇关于劳伦斯的《亚伦·罗德》，《帝国、太平洋和劳伦斯的领导小说》的论文。

This research has been concerned with various representations of Anglo-Saxonism in modernist cultural texts: trans-Pacific movements and migrations of non-white people in D. H. Lawrence's Aaron's Rod, racial, linguistic and geopolitical associations and dissociations between the British Empire and America in Henry James's The Thagic Muse, images and traces of war battles and regional political conflicts outside Europe after the First World War in Virginia Woolfs Jacob's Room and the related texts. My readings have clarified the close ideological relations between these geopolitical representations and the transnational, liberalist discourses of British imperialism, by analyzing the transnational cultural co-operation and antagonism between Britain and America in modernist period. In other words, the British Empire and its global culture of empire have been revealed to be (over)determined and redefined in contradictory relations with the nationalist and imperialist powers of America and the Pacific region.In particular, my reconsideration of Woolfs representations of the First World War has been published as "Generations, Legacies, and Imperialism: The Greco-Turkish War and Jacob's ~Room" in the Selected Papers from the Twelfth Annual Virginia Woolf Conference. And I have read a paper on Lawrence's Aaron ~Rod, "Empire, the Pacific and Lawrence's Leadership Novels" at the Ninth International D. H. Lawrence Conference.