Islam and Ideologies of War, Gender and Class as Determinants of Musical Identity in Twentieth Century Aceh, Indonesia

在殖民和后殖民时期，亚齐省的自然财富和战略位置给它带来了名声、对外接触和频繁的战争，但它的文化表现形式——可以帮助解释亚齐人的行为和当前的战争形势——却鲜为人知。亚齐的音乐身份是由音乐的内部语法和音乐外的联系的交集决定的，这些联系源于意识形态和宗教，战斗，性别和阶级的功能；贵族和宗教领袖的历史；还有社会变革。提出了新的理论，将音乐风格与意识形态联系起来，并解释了表演艺术融合了本土、阿拉伯和其他外来元素。

In the colonial and postcolonial periods, the natural wealth and strategic location of Aceh province brought it fame, foreign contact and frequent war, yet its cultural expressions - which can help explain Acehnese behaviour and the current war situation - are poorly known. Aceh's musical identity is determined by intersections between the music's internal syntax and extramusical associations arising from ideologies and functions of religion, combat, gender and class; history of noble and religious leadership; and social change. New theories are presented that relate musical style to the ideologies and explain the performing arts' fusion of indigenous, Arabic and other foreign elements.