Study of European Classical Theater and Kyogen

2004年：有机会去罗马大学，并制作了我自己改编的Kyoge， Yopparaino-shikaeshi（基于莎士比亚的第十二夜）。在罗马成功演出，并在日本巡演。这个舞台是舞台上文化融合的一个例子，证明了这种文化融合是可能的。2005年：继续进行进一步的实验，看看这种文化融合是否可以在原创戏剧作品中实现，并创作了一部名为《Koino-hoeori》的新剧本，并在罗马演出，并在日本各地巡回演出。这部作品在两个方面取得了巨大的成功；原创作品是戏剧制作的可能，虽然文化混合，但原创作品对观众有更直接的吸引力。2006年：在罗马举办京京戏剧工作坊，考察意大利普通民众对日本古典京京戏剧的反应。发现他们的反应是直接和自发的。这证明了京都的幽默感是普遍的2007：这是我研究项目的最后一年。所以我成功地做了两件事：组织了一个关于京根和艺术喜剧的国际论坛，出版了一本书，《京根和艺术喜剧——文化融合的动力》。这个论坛包括了一个关于这个主题的国际会议，还有一次在日本的剧院之旅，有三种不同的作品：耕木川京，Commedia dell'arte Bilora（1520年左右由a . Beolco写的），还有我自己改编的Itachi，展示意大利和日本的喜剧，以及展示当它们混合在一起会产生什么。为名古屋的意大利村创作了短剧《Koino-tawamure》，并与京演员和意大利学生一起执导。开始“戏剧项目Si”，进一步尝试将日本和欧洲文化融合在一起的戏剧，重点是改编莎士比亚的悲剧，同时在这个过程中，将京剧和歌剧的一些方面融合在一起。我将以一种完全不同于喜剧的戏剧形式继续我的文化融合实验。少

2004: had an opportunity to go to University of Roma La Sapienza and to produce my own adapted Kyoge, Yopparaino-shikaeshi (based on Shakespeare's Twelfth Night). Had a successful show in roma and tour of Japan. This stage is an example of cultural fusion on stage and proved such a cultural mix was possible.2005 : Proceeded with furthere experiment to see if this kind of cultural fusion was possible in original theatre work, and wrote a new plau called Koino-hoeori, and showed it in Roma and toured around Japan with it. The production was a great success in two aspects ; original work was possible for theatre production and also the original work had more direct appeal to the audience though culturally mixed.2006 : Organized a Kyogen workshop in Roma and examined how oedinary Italian people would respond to Japanese classical Kyogen theatre. Found out that their response was direct and spontaneous. This proved the sense of humuor in Kyogen is universal2007: This was the final year for … More my research project. So I managed to do two things: organize an International forum on Kyogen and commedia dell'arte and published a book, Kyogenand Commedia delarte-Dynamiszrn of Cultural Fusion. The forum included an international conferenceon the very subject and also a theatre tour of Japan with three different productions: Kyogen Susugigawa, Commedia dell'arte Bilora (written b A. Beolco around 1520) and also my own adaptation Itachi to show comedies of Italy and Japna as well as showing what would come out when they were mixed. Also wrote a short play, Koino-tawamure for the Villagio Italiano in Nagoya and directed it with the cast of Kyogen actor and Italian students. Started 'Theatre Project Si' to further my experiment in the theatre mixing Japanese and European Cultures, focusing on adapting Shakespeare's tragedies, while in the process, mixing some aspects of Kyogen and Opera in one play.Will carry on with my experiments with cultural fusion in a totally different form of theatre from comedy. Less