Reception of Yukio Mishima's Works in Asia and the Formation of an Asian Image as Seen in his Works.

1.三岛由纪夫翻译作品目录的建立我们实地考察了三岛由纪夫翻译作品在中华人民共和国中国和韩国的出版情况。在过去的调查中，与欧洲和美国有关的调查占主导地位，但由于分析了目前的情况，我们澄清了亚洲国家通过翻译现代日本文学接受不同于欧美的情况。象征性分析战后日本文学中描绘的东南亚意象，如黎明寺和松井基努。我们对黎明寺描绘的泰国女王肖像的历史和文化意象进行了象征性分析，并考虑了三岛的文本如何将绘画和建筑等视觉符号联系起来。此外，通过对黎明神庙和松本诚彦的《神户》的比较分析，战后性话语的变化，以及20世纪60年代和以后日本经济发展的同时，国际关系的影响，在战后文学中围绕东南亚的形象的再现中变得清晰起来。三岛由纪夫作品在亚洲的接受及对其作品中的亚洲表现的分析与思考通过综合分析1、2的研究成果，我们能够通过三岛由纪夫的作品从双向的角度来思考亚洲国家与日本之间文化和文学接受的互动。

1. Creation of a catalog of Yukio Mishima's translated worksWe conducted an on-site survey on the status of publication of Mishima's translated works in the People's Republic of China and Korea. In the past surveys related to Europe and America have dominated, but as a result of analyzing current conditions we clarified circumstances different from those in Europe and America of reception via translation of modern Japanese literature in Asian countries.2. Symbolic analysis of Southeast Asian imagery depicted in postwar Japanese literature as seen in The Temple of Dawn and Atsui KinuWe performed symbolic analysis of the historical and cultural imagery related to the portrait of the Thai queen depicted in The Temple of Dawn, and considered how Mishima's texts connect visual symbols, such as paintings and architecture. Moreover, as a result of comparative analysis of The Temple of Dawn and Seicho Matsumoto's Atsul Kinu, changes in the postwar discourse on sexuality, and the influence of international relations concurrent with Japan's economic development in the 1960s and later became clear in the representation of images surrounding Southeast Asia in postwar literature.3. Reception of Yukio Mishima's works in Asia and analysis and consideration of representations of Asia as seen in his worksBy comprehensively analyzing the research results of 1 and 2, we were able to consider the reciprocation of reception of culture and literature between Asian countries and Japan from a bidirectional perspective through Mishima's works.