A study of the realities and historical meanings of aristocratic residences research by persons studying historical practices in the early modern period

本研究旨在厘清近代早期史学界对贵族住宅形象的研究。研究的结果如下：1、有可能是《新登祖》的作者，他根据一些史料对其进行了描述。2、这些资料也帮助《托卡杂所》的作者完成了他的作品。3、这是一幅17世纪中叶的久条家族住宅的图画。4、科岑一不小心就相信了这一点。这很可能是因为久条家族在近代以平安复兴主义的风格建造传统神殿的历史背景所致。5、无论是“小津琉球”还是“琉球”，都与“本海门神户”无关。6、浦松克增有可能不是这两本书的作者，而只是在他的“因古比地无宗”中对其进行了再现。7、松冈隆雄继承了科岑对下一代的研究。8、他是对下一代贵族住宅史研究起到重要作用的人。

The purpose of this study is to clarify the image of aristocratic residences research by persons studying historical practices in the early modern period.The results of this study are as follows :1, It is possible that Kozen Uramatsu was the author of the "Shinden-zu" and he described it based on some historical materials.2, These materials also helped the author of the "Toka-Zasho" complete his work.3, It was the drawing of a mid 17th century residence of the Kujo-family.4, Kozen carelessly believed it true. It probably happened because there was a historical background that Kujo-family was building a traditional shinden in a Heian revivalistic style during early modern period.5, Both "Kozuryochumon" and "Ryochumon-zu" were unrelated with the "Honkaimon-shinkaimo-zu".6, It is possible that Kozen Uramatsu was not the author of them and he only reproduced them in his "Ingu-oyobi-shitei-no-zu".7, Tokikata Matsuoka succeeded to the research by Kozen to the next generation.8, He is a person who played a major role to the historical study on the aristocratic residences.