Basic study for Esoteric iconographic image about Gensho-bon and formerly in Possession of Kozan-ji Temple

本研究认为，这是一个深奥的图像在平安时代结束，从牧师玄正和高山寺寺在京都流出的特点。玄正本和古高山寺的书也有一个，它是拥有博物馆在日本和外国。收集者拥有它。这些例子的深入数据是积累的，它收集，它调查，并在拍摄照片时积累基本数据。调查目的地是东京国立博物馆，东京美术大学博物馆，两个或两个以上的个人，旧金山弗朗西斯科的亚洲博物馆，纽约大都会博物馆，和纽约公共图书馆的斯宾塞收藏馆进行了为期三年的调查。例如，它是出于对处于折叠状态时的恢复的考虑，以及对镰仓时代的秩序状况的思考。虽然每张图片都有一张已经在学术期刊上发表过，但仍有必要进行更多的研究。各个导入导入者的问题依然存在。从平安时代末期到镰仓时代的图像流通问题，能够发现新的期待的发展。由这些基础研究导出的许多问题将成为问题机构的进步研究。对图像进行基础研究的副产品是能够瞥见艺术品在现代流通的样子，就像收藏家的存在一样。

This research considers the trait that is an esoteric iconographic image in the Heian period end that flowed out from priest Gensho and Kozan-ji temple in Kyoto. Gensho-bon and old Kozan-ji temple book also has the one that it is owned to the museum in Japan and foreign countries. And the collector own it. The in-depth data of those examples was accumulated, and it collected, it investigated, and basic data was accumulated while taking a photograph.The investigation destination was done with Tokyo National Museum, Tokyo University of Art Museum, two or more individuals, Asian Museum in San Francisco, New York Metropolitan Museum, and Spenser Collection of New York Public Library for three years.The investigation was done by using various forms. It is because of consideration of the restoration when it is in the state folded for instance and it thinks about the order situation of Kamakura period. It is necessary to research more though each image also has the one to have already published in an academic journal. Each import and introduction persons problems remain.It was able to find the development newly expected in relation to the problem of the image circulation put from the Heian period end on the Kamakura period.A lot of problems of deriving by these basic researches will become the problem institutions progressive studyMoreover, the by-product of a basic research on the image is to be able to catch a glimpse of the appearance of the work of art circulation in modern ages like the collectors existence.