Bibliological and Literary Research on the Gokan of Utagawa Kunisada I : Reconstruction of Gokan History in the Tokugawa Period

为了重新认识浮世绘的画师“宇川国田一（丰国三）”在江户19世纪初出版的作品最多的“草津（勾画）”中成为插画的主要权威所取得的成就，笔者对他从事的勾画进行了研究。然后，我从我的研究结果中澄清了勾侃中图画和文字的表达方式，并指出这些并不是单纯的插图。此外，我还报告了封建领主的艺术活动，他们经常命令浮世绘印刷而不出版给国田或其他艺术家，并考虑了江户末期文化形成的整体概念。

In order to reconsider the achievement of "Utagawa kunisada I (Toyokuni III)" who was an artist painter of Ukiyoe to become the leading authority of illustrations for "Kusazousi (Goukan)" which had the highest number of publicized issues in the early 19th of the Edo period, I studied about Goukan in which he became engaged. Then, I clarified the manner of expression by pictures and writings in Goukan from the results of my study and indicated that those were not the mere illustrations. In addition, I made a report on art activities of feudal lords who frequently ordered Ukiyoe to be printed but not published to Kunisada or other artists and considered the whole concept of culture formation at the end of the Edo period.