The modern city and various aspects of the artistic figures of "angels". The history of painting as spiritual history in 1920s and 1930s Germany

笔者在研究中提出了三个问题：第一，“天使”的艺术表现与20世纪二三十年代德国现代城市的关系。在保罗·克利和恩斯特·巴拉赫的作品中，我可以肯定，他们在描绘天使方面偏离了传统的基督教天使形象。这些图像被上面的艺术家选择作为反映现代世界人类苦难的精神问题的媒介。第二：我研究了菲利普·奥托·朗格的作品，反思了天使与孩子的关系。作品《Time‘s(Die Zeiten)》是一天中的一系列时间圆圈，每一件作品都由一个中心部分和围绕它的框架组成。我让“天使”出现的“夜晚”成为焦点。我从反思作为“最后审判”的“夜”开始，反思“天使”和“孩子”的手势，试图解读“天使”和“ch…more ild”之间的关系。很明显，要完整地解释这部作品，必须研究《爱的胜利》中代表人类不同阶段(童年、青春期、中年后期、老年)和爱的“儿童”。最后，我反思了天使在现代社会中的表现。延续我之前的研究，我选择了德国文化领域的“天使”，重点放在1987年维姆·文德斯的电影“柏林上空”(Der Himmel uber柏林)。在这部电影中，一位天使扮演了角色，他的形象巩固了整个基督教中天使的各种肖像形象。故事展现了天使是如何同情生命有限的人的命运的。在这个故事中，人们对“天使”的崇拜发生了逆转。关于“天使”的这种表现是对现代的颠覆，还是它以最初的形式展示了“天使”，任何结论都被搁置了。较少

I have persued three issues in my study : First, the relationship between the artistic representation of the "angel" and the modern city in 1920s and 1930s in Germany. In the works of Paul Klee and Ernst Barlach, I can confirm that they deviate in depicting angels from the traditional Christian images of angels. These images were chosen by the artists above as the medium in which the spiritual problems of human suffering in the modern world are reflected.Second : I have researched the works of Philipp Otto Runge to reflect on the relationship between the "angel" and the "child". The works "Time's(Die Zeiten)" is a series of circles of "time" in a day, and each piece consists of a central part with the frame surrounding it. I have brought the "night" into focus in which the "angels" appear. Starting from reflecting on the "night" as the "Last Judgement" and on the gestures of the "angels" as well as of the "children", I tried to interpret the relationship between the "angel" and the "ch … More ild". It has become clear that for a full interpretation of this work the study of the "children" representing the various stages of human beings(childhood, adolescence, late middle age, old age) and Amor in "The Triumphs of Amor(Der Triumph des Amor)" is indispensable.Lastly, I reflected on the representation of the "angel" in modern society. In continuity with my previous studies I have chosen the "angel" in German cultural spheres, focussing on "The Sky Over Berlin"(Der Himmel uber Berlin), a film by Wim Wenders in 1987. In this film, an angel comes into play whose figure consolidates various iconographic images of angels throughout Christianity. The story shows how the "angel" sympathizes with the destiny of the "human beings" who live for only a finite time. A reversal of the admiration for "human beings" for the "angel" is seen in this story.Any conclusion as to whether this representation of "angel" is a perversion of the modern age, or if it shows "angel" in its original form is put on hold. Less