The development of German theatre outside of Germany during World War II-the example of Erwin Piscator's work in his American exile

传统的德国戏剧研究通常集中在德国上演的戏剧作品上，而本研究的目的是考察德国戏剧导演欧文·皮斯卡托在第二次世界大战期间流亡苏联、法国和美国期间的作品。然而，这些材料表明，皮斯卡托在美国的作品在他流亡期间创作的作品中具有特殊的重要性。因此，研究的重点是他作为纽约市的戏剧学校主任的活动，以及在日本戏剧研究学会（JSTR）年会上的两次演讲。后一个演示文稿将作为研究论文发表在日本JSTR杂志上。

While conventional research on German theatre often focuses on dramatic pieces staged in Germany, the aim of this research was to examine the works by German theatre director Erwin Piscator during his exile in Soviet Russia, France, and finally in the United States of America during World War II. The material, however, showed that Piscator's work in the US was of special importance among his works created in exile. Therefore, the research focused on his activities as the director of a Theatre School in New York City and on two presentations given at the annual conferences of the Japanese Society for Theater Research (JSTR). The latter presentation will be published as a research paper in the journal of the JSTR in Japanese.