Field of literary production, the changes of media technology and theories of perception in Russia from the second half of the 19th century to the first half of the 20th century

本研究旨在探索和刻画19世纪下半叶至20世纪上半叶俄罗斯文学生产领域发生的巨大变化，特别是从它与文化领域新媒体和新技术的出现以及知觉的心理学和哲学理论的显著进步密切相关的角度。研究发现，20世纪初俄罗斯形式主义等新文学理论浪潮的出现与电影的普及密切相关，它也受到了心理学和哲学知觉理论的强烈刺激，特别是邦特、柏格森、胡塞尔、塞斯曼、什佩特等人。

The purpose of this study was to explore and characterize the big changes which had occurred in the field of literary production in Russia from the second half of the 19th century to the first half of the 20th century, especially from the viewpoint of its close relationship with the appearance of new types of media and technology in the field of culture, and also with the remarkable progress in the psychological and philosophical theories of perception.As a result of the study we found out that the appearance of the new waves of literary theories at the beginning of the 20th century such as Russian Formalism was very closely tied with the popularization of cinematograph, and it also was strongly stimulated by the psychological and philosophical theories of perception, especially by Bundt, Bergson, Husserl, Sesemann, Shpet et al.