Application of the "Concordance of Medieval Occitan" to the medieval french and occitan philology

这项调查的目的是研究如何应对吟游诗人的版本批评所提供的各种变体和各种版本。由专家Peter T.Ricketts提供的COM(中世纪奥西坦语料库)2汇集了从第一次认证到15世纪的那些属于该语言的现存文本的语料库，但它不包含变体。它接受了最好版本提供的短信。关于马尔卡布鲁(PC 293 25-26)的诗歌，我试图揭示这位吟游诗人的批评版的几个问题。此外，在《马赛的回忆录》的关键版本中，我比较了斯特龙斯基(1910)和斯奎拉西奥蒂(1998)所采用的方法，非常复杂，但非常有启发性。

The purpose of this investigation was to research on the way we can handle against the various variants and various versions offered by the “edition critique” of the troubadours. The COM (Concordance of Medieval Occitan) 2, furnished by the professeur Peter T. Ricketts, brings together the coupus of texts extant in the language from the first attestation to those belongint to the fifteenth century, but it doesn’t contain the variants. It has taken the texte given by the best edition. On the poems of Marcabru (PC 293 25-26), I essayed to bringth to light the several problems of critical edition of this troubadour. Furthermore, on the critical editions of Folquet de Marseille, I compared the methods employed by Stronski (1910) and that of Squillacioti (1998), extremely comlicated but very suggestive.