Fundamental Research on Handscrolls of Buddhist Teachings

这个项目关注的是基于佛教教义的中世纪日本手卷的功能（Kyosetsu emaki）。我分析他们的文本和图像，以及相关的佛经。在研究期间，我共考察了（1）恩马王宫廷的镰仓时期的绘画深受《博北所》等藏于三京藏书的密宗佛教艺术的影响。因此，人们可以发现这些手卷的制作与（2）《十王经》（晚唐至宋代有几个幸存的副本）的插图卷的影响在Shojuraigoji寺的六道轮回卷轴中清楚地观察到。由此可知，（3）班大纳贡emaki与代表六道的净土佛教艺术有着相同的图像模式。这最后一点在以前的学术研究中被忽视了。这项研究的一部分已经在出版物中公开，如《六境中的恩马王宫廷绘画的正十来五地版本：来自山大王曼荼罗的影响（恩马-十曼荼罗）》。

This project concerns the functions of medieval Japanese handscrolls that are based on Buddhist teachings (Kyosetsu emaki). I analyze their texts and images, as well as related Buddhist sutras. During this research period, I examined a total of(1)Kamakura-period depictions of King Enma's Court are deeply influenced by Esoteric Buddhist art collected in Mikkyo-zuzo-shu such as “Hakuhokusho.” Thus, one can detect arelationship between the production of these handscrolls and the(2) Influences from the illustrated scrolls of the Ten Kings Sutra (there are several surviving copies from the late Tang to Song dynasty) are clearly observed in the hanging scroll of the Six Realms at Shojuraigoji temple. From this connecti(3) The Ban Dainagon emaki shares the same iconographic pattern with Pure Land Buddhist art such as those representing the Six Realms. This last point has been overlooked in previous scholarship.Portions of this research have been made public in publications such as “King Enma'sCourt in the Six Realms Paintings of the Shojuraigoji Version : Influences from the Mandala of Yamaraja (Enma-ten Mandala）” Kyoritsu joshi daigaku Bungei ga