Spanish art in Italian private and public collections. A history of taste from the Risorgimentoto the Roman exhibition of Spannish art in 1930

我的提议是对里索尔吉门托至1930年(亚历山德罗·康尼·博纳科西据称的西班牙艺术作品在罗马扩张的那一年，由两位意大利和西班牙艺术评论家罗伯托·朗希和奥古斯都·迈耶共同策划)之间的西班牙艺术接待故事的第一次广泛研究。通过对更熟悉的英国和法国背景采取比较的方法，我的提案调查了西班牙艺术是如何通过意大利艺术批评和策展选择的镜头来理解的；分析了当涉及西班牙艺术时，意大利经销店的特殊性是什么。

My proposal is the first extensive study of the story of Spanish art reception in Italy between Risorgimento and 1930 (the year of the Roman exhbition of Alessandro Contini Bonacossi's allegedly Spanish artworks, co-curated by two major critics of Italian and Spanish art, Roberto Longhi and Augustus Mayer.) By adopting a comparative approach regarding the more familiar British and French contexts, my proposal investigates how Spanish art was intrepreted through the lenses of Italian art criticism and curatorial choices; analysing what specificities of Italian dealership were when Spanish art was involved.