Inheritors of the Diaspora: Contemporary Black British Drama in the New Millennium

这项研究探讨了当代英国黑人剧作家创作的新千年戏剧，他们从英国本土身份和立场出发进行创作。这些作家以黑人经历为中心，对民族文化进行了激进的经验修正，并为英国戏剧的现状及其未来的辩论做出了贡献。使用社会文化和理论框架来处理一系列剧作家的戏剧和表演环境，Kwei-Armah、Williams、River、Tucker Green和Daley产生了关于文化遗产、散居海外和戏剧的问题；在那里，限制和排斥的遗产作为形成影响而与英国传统戏剧遗产相互作用。

This study explores the plays of the new millennium produced by the black dramatists of contemporary Britain who create from an indigenous British identity and standpoint. Centralising black experience, these writers present radical experiential revisions of national culture and contribute to debates on the state of British theatre and its future. Using sociocultural, theoretical frameworks to address the circumstances of theatre and performance for a range of dramatists, Kwei-Armah, Williams, River, Tucker Green, and Daley produces questions regarding cultural inheritances, diasporic and theatrical; where the legacies of restriction and exclusion interface with traditional British theatre heritage as formative influences.