The Innovative Printmaking of Birgit Skjold (1923-1982)

这个项目考察了Birgit Skjold在1958年到1982年间对英国版画的贡献。其中包括对Skjold对凹版工艺的创新使用的批判性分析，结合了版本印刷品和艺术家书籍中的照片图像和平版印刷，以及她对日本文化的兴趣，以及抽象自然主题的部署。Skjold在夏洛特街印刷工作室（1958- 1982）的开创性作用以及她在促进英国版画活动方面的参与也被考虑在内。该项目包括对Skjold基于英国公共和私人收藏的大量藏品的单幅版画的完整描述。

This project investigates the contribution made by Birgit Skjold to printmaking in Britain between 1958 and 1982.Included is a critical analysis of Skjold's innovative use of intaglio processes, combined with photo-imagery and lithography in the edition prints and artist's books, also her interest in Japanese culture, and deployment of abstract nature motifs.Skjold's pioneering role in running Print Workshop, Charlotte Street (1958- 1982) and her involvement in promoting printmaking activity in Britain are also considered.The project includes a complete description of Skjold's output of single prints based on extensive holdings in public and private collections in Britain.