The medieval Occitan tensos and partimens

中世纪的吟游诗人最出名的是他们的宫廷爱情和高度做作的宫廷情歌或爱情抒情诗，其次是他们的社会政治评论歌曲，但丁在他的Commedia和de Vu！Gari Eloquania中庆祝了这些歌曲，并影响了从中世纪到现在的欧洲广泛的文学和情感。不太为人所知的是他们的时态和副词，或对话诗。这些令人感兴趣的原因有几个：它们的手稿传播似乎与cansos和另一种主要体裁-讽刺sirventes有很大不同；它们使我们更接近它们的对话者的日常生活和语言。几十年前，约翰·马歇尔教授开始对这173件作品的整个语料库进行新的评论版，但在20世纪80年代，由于视力下降，无法继续下去。2000年，他将所有的材料交给了露丝·哈维和琳达·帕特森，他们承诺更新和完成他的版本。他们获得了英国皇家科学院的一项初步研究拨款，随后又获得了AHRC资源增强计划的三年拨款，这使他们能够从意大利聘请两名非常合格的研究助理，安娜·拉代利博士和克劳迪奥·弗兰奇博士。这项工作的规模如此之大，以至于也在寻求其他学者的合作，目前从事个人或小组文本版本工作的贡献者包括都灵大学的沃尔特·梅利加教授和朱塞佩·诺注教授，沃尔特·梅利加指导下的两名意大利研究生，以及一名博士后研究员。它希望与Edizione deii‘Orso(都灵)一起出版三卷本，并将文本放在那不勒斯大学运营的Rialto网站(www.rialto.unina.it)上。

The medieval troubadours are best known for their 'invention' of Courtly Love and the highly wrought courtly canso or love lyric, and to a lesser extent their songs of sociopolitical comment, celebrated by Dante in his Commedia and De Vu!gari Eloquentia and influencing European wide literature and sensibility from the Middle Ages to the present day. Less well known are their tenses and partimens, or dialogue poems. These are of interest for a number of reasons: their manuscript transmission seems to differ significantly from that of the cansos and the other principal genre, the satirical sirventes; and they bring us much closer to the ordinary lives, and language, of their interlocutors. Some decades ago Professor John Marshall embarked on a new critical edition of the entire corpus of these 173 pieces, but in the 1980s was unable to continue because of failing eyesight. In 2000 he handed over all his materials to Ruth Harvey and Linda Paterson who have undertaken to update and complete his edition. They were awarded a British Academy grant for a pilot study, followed by a three year grant from the AHRC Resource Enhancement Scheme, which has enabled them to hire two very highly qualified research assistants from Italy, Dr Anna Radaelli and Dr Claudio Franchi. The size of the undertaking is such that collaboration has also been sought from other scholars, and contributors working on editions of individual or small groups of texts now include Professors Walter Meliga and Giuseppe Note of the University of Turin, two Italian postgraduate students under the supervision of Walter Meliga, and a postdoctoral researcher. It is hoped to publish the edition in three volumes with the Edizione deii'Orso (Turin), and also to place the texts on the Rialto website run by the University of Naples (www.rialto.unina.it).