Islam and Ideologies of War, Gender and Class as Determinants of Musical Identity in Twentieth Century Aceh, Indonesia

二十世纪印度尼西亚亚齐音乐认同的决定性因素：伊斯兰教和战争、性别和阶级意识形态。在殖民和后殖民时期，亚齐省的自然财富和战略位置为它带来了声誉、外国接触和频繁的战争，但它的文化表达--有助于解释亚齐省的行为和当前的战争局势--却鲜为人知。亚齐的音乐身份是由音乐的内部句法和音乐外联想的交集决定的，这些联想源于宗教、战斗、性别和阶级的意识形态和功能；贵族和宗教领导的历史；以及社会变化。提出了新的理论，将音乐风格与意识形态联系起来，并解释了表演艺术融合了本土、阿拉伯和其他外国元素。

Islam and Ideologies of War, Gender and Class as Determinants of Musical Identity in Twentieth Century Aceh, Indonesia. In the colonial and postcolonial periods, the natural wealth and strategic location of Aceh province brought it fame, foreign contact and frequent war, yet its cultural expressions - which can help explain Acehnese behaviour and the current war situation - are poorly known. Aceh's musical identity is determined by intersections between the music's internal syntax and extramusical associations arising from ideologies and functions of religion, combat, gender and class; history of noble and religious leadership; and social change. New theories are presented that relate musical style to the ideologies and explain the performing arts' fusion of indigenous, Arabic and other foreign elements.