Commentary of the theology of the Psalter according to the agenda of the newer psalm exegesis

根据新诗篇注释的议程对诗篇神学进行评论

基本信息

项目摘要

Following the worked out synchronic structure of the entire psalter, various structural levels appear, requiring a diachronic assessment. In the synchronic flow of reading, in the first instance, the assessment of the singular colophon (the only redactional marker in the book of Psalms) appears in Psalm 72:20. Similarly, the assessment of the so-called "major break" of the Psalter in Psalm 89 belongs to this. In the second instance, the arrangement of the Psalter appears through the doxologies in the five books of various lengths. In the third instance, the problem of the grouping of the psalms, both through superscriptions as well as through the absence of superscriptions (cf. the introduction of the so-called Elohistic Psalter and the Yahweh-King psalms) or through framing formulas (cf. Hallelujah) appears. These overlapping various structural levels force a diachronic explanation of the synchronic final structure. A number of continuous themes are structurally relevant: 1) the tension between lament and praise; 2) the echo of the portrayal of the history of God with the people of Israel and with humanity; 3) the continuous theme of the theology of the poor; 4) the real and symbolic presence of God in space and time and the religio-historical connections with the ancient Near Eastern worldview (Here it is a question of the dwelling of God in heaven, in the temple and house of God in Jerusalem, and his presence in Zion, respectively.) 5) The figure (Gestalt) of David has special on-going meaning for the Psalter. Various images of David exist. He is the poet and singer of the psalms. He is the earthly king who represents the kingdom of God on earth. He is the exemplary pious person and person of prayer. He is the founding father of the Davidic dynasty, which explains why his son Solomon also appears in the Psalter. Likewise, he is the guarantor for the continuation of the Davidic covenant (2 Sam 7). These five themes underscore the unique significance of the Psalter both for an Old Testament Theology as well as a New Testament Theology. The Church Fathers, as well as Martin Luther, had already stressed this when they spoke of the Psalter as the "Little Bible", so that there was no need for a New Testament book of Psalms.The primary purpose for the extension period of this project is the diachronic location of the above mentioned continuous themes in the history of the growth of the entire Psalter.
在整首诗篇的共时结构完成之后,出现了各种结构层次,需要进行历时性的评估。在阅读的共时性流程中,首先,对单数页的评估(诗篇中唯一的校订标记)出现在诗篇72:20中。 同样,在诗篇89篇中对诗篇所谓的“重大突破”的评估也属于这一点。在第二种情况下,安排的诗篇出现通过doxologies在五本书的不同长度。在第三种情况下,问题的分组的诗篇,无论是通过supercritical以及通过缺乏supercritical(比照。引进所谓的Elohistic诗篇和耶和华王诗篇)或通过框架公式(比照。哈利路亚)出现。这些重叠的不同结构层次迫使共时的最终结构的历时解释。一些连续的主题在结构上是相关的:1)哀歌和赞美之间的紧张关系; 2)上帝与以色列人和人类历史的写照的回声; 3)穷人神学的连续主题; 4)上帝在时空中的真实的象征性存在,以及与古代近东世界观的宗教历史联系(这里的问题是神在天上的居所,在耶路撒冷神的殿里,以及他在锡安的同在。)5)大卫的形象(完形)对《诗篇》有着特殊的持续意义。大卫的各种形象存在。他是诗人和歌手的诗篇。他是地上的王,代表神在地上的国。他是一个虔诚的人和祈祷的典范。他是大卫王朝的创始人,这就解释了为什么他的儿子所罗门也出现在诗篇中。同样,他是大卫之约(2山姆7)的延续担保人。这五个主题强调了诗篇对旧约神学和新约神学的独特意义。教父们和马丁·路德在谈到诗篇是“小圣经”时已经强调了这一点,所以没有必要再写一本新约诗篇。这个项目延长期的主要目的是确定上述连续主题在整个诗篇发展历史中的历时位置。

项目成果

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Professor Dr. Ulrich Berges, since 12/2015其他文献

Professor Dr. Ulrich Berges, since 12/2015的其他文献

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