权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

The Middle Rhine valley as an imaginary landscape. Imagination and creation of a landscape as a means of debating the social and political order in modern times, c 1750-2010

莱茵河中游河谷是一幅想象中的风景。

基本信息

批准号：
242894361
负责人：
Professor Dr. Thomas Etzemüller
金额：
--
依托单位：
Institut für Geschichte
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2013
资助国家：
德国
起止时间：
2012-12-31 至 2014-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/242894361?language=en
关键词：
Middle Rhine valley imaginary landscape.

项目摘要

In historiography, landscapes are frequently considered in terms of mastering nature or as some sort of spatial container, within which a specific Economic- or Social-History takes place. Disregarding the visual turn, many historians consider perceptions as subjective and distortive. In cultural studies, on the other hand, the reality of landscapes is sometimes not accounted for and they are almost exclusively considered in terms of their cultural construction. In order to neither measure perceptions according to a reality nor to consider this reality as a mere deduction of imaginations, it is, thus, necessary to relate the material reality of landscapes as well as processes of perception and representations of landscapes to each other. The project wants to show two things: a) that imagination, image and reality are interwoven in complex ways, and b) which relevance this has for a History of Society of the 19th and 20th century, by investigating the question of a politicization of landscapes. For this purpose, the term of imaginary landscapes will be introduced. This term is intended to serve as a means to analyze the perception of landscapes in the form of imaginations and to show that these landscapes are characterized by a certain image, which developed in a long, assembling process of projections. This image in turn could become, realized materially in buildings, landscape modeling etc. Such (but not all) landscapes could serve as spaces for the development of social utopias, as lieu de memoire of a nations past, as alternative drafts for modern civilization or they could virtually naturalize a social or political order. These relations, however, are manifold; an imaginary landscape is never marked by one distinct relation between landscape, projection and design and yields in each case (political) effects. In the project, this will be investigated in a longitudinal perspective (approximately 1750 to the present) following the example of the Middle Rhine. It belongs to the German core-landscapes and it is, like no other river in Germany, loaded with myths and expectations. While stylized as a downright national actor between the end of the 18th century and 1945, a cultural landscape was modeled at the same time, which increasingly transformed from an artist-modeled romantic landscape of feelings to a (quotation) politically charged landscape of remembrance (eoq). In addition to that, the Middle Rhine became a tourist region, which is considered in Germany and beyond as a typically German landscape and which was declared a UNESCO World Heritage Site in 2002. However, in the 19th century the landscape also served as a projection screen for cultural pessimism in the light of modernity, namely in the dualistic perception of an intact and maimed landscape. Thus, there will be a rich material to exemplify the projects thesis.

在史学中，景观经常被认为是掌握自然或某种空间容器，特定的经济或社会历史发生在其中。忽略视觉转向，许多历史学家认为感知是主观的和扭曲的。另一方面，在文化研究中，景观的现实有时没有得到考虑，而几乎完全从文化建构的角度来考虑它们。因此，为了既不根据现实来衡量感知，也不将这种现实视为仅仅是想象的演绎，有必要将景观的物质现实以及景观的感知和表征过程相互联系起来。该项目想要展示两件事：a) 想象、图像和现实以复杂的方式交织在一起，b) 通过调查景观政治化的问题，这与 19 世纪和 20 世纪的社会史有何相关性。为此，将引入想象景观这一术语。该术语旨在作为一种手段，以想象的形式分析对景观的感知，并表明这些景观具有某种图像的特征，该图像是在长期的、组装的投影过程中发展起来的。这种形象反过来又可以在建筑、景观造型等中物质化地实现。这样的（但不是全部）景观可以作为社会乌托邦发展的空间，作为一个国家过去的记忆的替代品，作为现代文明的替代草案，或者它们实际上可以使社会或政治秩序自然化。然而，这些关系是多方面的。想象中的景观从来不会以景观、投影和设计之间的一种独特关系为标志，并且在每种情况下都会产生（政治）效果。在该项目中，将以莱茵河中游为例，从纵向角度（约1750年至今）对此进行研究。它属于德国的核心景观，与德国其他河流不同，它充满了神话和期望。虽然在 18 世纪末至 1945 年间被塑造为彻头彻尾的国家演员，但同时也塑造了一种文化景观，它逐渐从艺术家塑造的浪漫情感景观转变为（引用）充满政治色彩的纪念景观（eoq）。除此之外，莱茵河中部成为旅游区，在德国及其他地区被视为典型的德国景观，并于 2002 年被联合国教科文组织列为世界遗产。然而，在 19 世纪，该景观也成为现代性下文化悲观主义的投影屏幕，即完整和残缺景观的二元认知。因此，将有丰富的材料来例证项目论文。