Ballad worlds. Studies of the transmedial reception of the medieval ballds in Scandinavian modernity

民谣世界。

• 批准号: 248631501
• 负责人: Professorin Dr. Annegret Heitmann
• 金额: --
• 依托单位: Institut für Nordische Philologie
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2013
• 资助国家: 德国
• 起止时间: 2012-12-31 至 2017-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/248631501?language=en
• 关键词: Ballad; worlds.; Studies; transmedial; reception

The Scandinavian ballads, often wrongly described as »folkeviser«, not only bear witness to past culture and long-term transmission, but also provide the cultural imagination of Scandinavia in modern times with a rich reservoir of inspiring motifs, themes, forms, and medial representations. It is striking that ballads not only continue to attract literary interest, but that the genre´s performativity and inherent intermediality provides a remarkable potential for varied inter- and transmedial recycling. This project aims to identify and analyse the various strands of ballad reception in text, image, music, dance, theatre and film, aided by a theoretical approach to intermediality and a focus on the interplay between reception and the source texts. Of particular interest is the question which characteristics of the ballads are emphasized at specific stages of modernity and which transmedial processes are entailed.

斯堪的纳维亚的民谣，经常被错误地描述为“民俗”，不仅见证了过去的文化和长期的传播，而且还提供了斯堪的纳维亚现代文化想象力，具有丰富的鼓舞人心的主题，主题，形式和媒介表现。引人注目的是，民谣不仅继续吸引文学兴趣，而且这种体裁的表演性和固有的中介性为各种跨媒体和跨媒体的循环提供了巨大的潜力。该项目旨在识别和分析文本，图像，音乐，舞蹈，戏剧和电影中的民谣接受的各个方面，通过理论方法来帮助中介性，并专注于接受和源文本之间的相互作用。特别感兴趣的是，在现代性的特定阶段，民谣的哪些特征得到了强调，哪些跨媒介的过程是必然的。

项目成果

Annegret Heitmann och Katarina Yngborn (red.): «Rider ud saa vide». Balladenspuren in der skandinavischen Kultur.

Annegret Heitmann 和 Katarina Yngborn（红色）：“Rider ud saa vide”民谣在斯堪的纳维亚文化中的踪迹

• DOI: 10.18261/issn.1500-1989-2017-04-08
• 发表时间: 2016
• 作者: Annegret Heitmann;Katarina Yngborn (Hg.)
• 通讯作者: Katarina Yngborn (Hg.)