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The Einheitslieder der deutschen Bistümer (1947) - from großdeutsch project to instrument of Integration after war and displacement

德国教区的团结之歌 (1947) - 从大德语项目到战后和流离失所后一体化的工具

基本信息

批准号：
310579691
负责人：
Professor Dr. Ansgar Franz
金额：
--
依托单位：
Abteilung Liturgiewissenschaft und Homiletik
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2016
资助国家：
德国
起止时间：
2015-12-31 至 2020-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/310579691?language=en
关键词：
Einheitslieder der deutschen Bist mer

项目摘要

When the “Einheitslieder der deutschen Bistümer” (E-hymns) were published as an authentic edition in 1947, it provided Germany's Catholics with a common standard canon of 74 hymns. This was a significant first step towards a common hymnal of the German Catholic dioceses. In 1975 it came to fruition in the standard hymnal “Gotteslob”. At the beginning of the 20th century, the German dioceses had hardly any shared tradition of hymns as the repertoire of songs, their lyrics and tunes differed enormously. This lack became especially problematic from the mid-1930s onwards due to significant internal migration (Reich Labor Service, NS industrialization projects, etc.) as well as the situation of war (field services of soldiers from different dioceses). Discussions surrounding the question of a corpus of E-hymns revealed different opinions: The “Jugendkreise” in the wake of the Liturgical Renewal campaigned for a renewal of congregational song whereas traditional voices opted for the well-known songs for “practical-pastoral reasons”. Others, however, demanded a “Reichsliederkanon” with a view to strengthening German national identity. Critics of such a supra-diocesan hymnal argued that regarding congregational hymns Catholic identity was of a highly regionalized nature and that therefore any attempts at standardizing would have a negative impact.From ca. 1940 onwards various suggestions were drafted. The German Bishops' Conference in Fulda took up the issue and commissioned the bishop of Trier to set up a corpus of E-hymns. He assigned this task to an expert commission, which was convened by the auxiliary bishop Metzroth, and included 3 delegates from annexed Austria. Already in 1943 this commission presented a list of hymns. In 1944 work on this project was interrupted by the war. The E-hymns were then definitively approved in 1947. They proved to be an important instrument to integrate the catholic expellees into their new dioceses.The project aims to a presentation of the genesis of the E-hymn corpus within an augmented source edition based on the comprehensive collection of the convener, auxiliary bishop Metzroth (diocesan archive of Trier) and material from further archives that reveals the pre-history as well as the positions of certain dioceses and commissioners. Furthermore, the edition considers contributions from contemporary magazines that will be listed in a comprehensive bibliography. The focus will then turn to the reception history and impact of the 1947 E-hymns on the “Gotteslob” of 1975 and 2013 (common part and diocesan appendices).

1947年，当《Einheitlieder deutschen Bistümer》(E-赞美诗)作为正版出版时，它为德国天主教徒提供了74首赞美诗的共同标准正典。这是朝着德国天主教教区共同赞美诗迈出的重要的第一步。1975年，它在标准的赞美诗《哥德斯罗布》中结出硕果。在20世纪初，德国教区几乎没有任何共同的赞美诗传统作为歌曲的曲目，他们的歌词和曲调有很大的不同。从20世纪30年代中期开始，由于大量的内部移民(帝国劳工服务、NS工业化项目等)，这种缺乏变得特别成问题。以及战争情况(来自不同教区的士兵的战地服务)。围绕E赞美诗语料库的讨论揭示了不同的观点：礼仪更新之后的“Jugendkreise”发起了更新会众歌曲的运动，而传统的声音则出于“实用的牧歌原因”而选择了著名的歌曲。然而，其他人则要求建立“德国帝国”，以加强德国的民族认同感。这种超教区赞美诗的批评者认为，关于会众赞美诗，天主教身份具有高度区域化的性质，因此任何标准化的尝试都将产生负面影响。从大约1940年开始，起草了各种建议。在富尔达举行的德国主教会议讨论了这一问题，并委托特里尔主教建立了一个电子赞美诗语料库。他将这项任务指派给一个专家委员会，该委员会由辅助主教梅兹罗斯召集，成员包括来自被吞并的奥地利的3名代表。早在1943年，该委员会就提交了一份赞美诗清单。1944年，这个项目的工作因战争而中断。然后，电子赞美诗在1947年得到了最终批准。这是一个重要的工具，以整合天主教驱逐者到他们的新教区。该项目的目的是介绍E-赞美诗语料库在一个扩大的来源版本的基础上，全面收集召集人，辅助主教梅兹罗斯(特里尔教区档案)和材料，从进一步的档案，揭示了史前以及某些教区和委员的立场。此外，该版本考虑了当代杂志的贡献，这些贡献将被列入全面的参考书目。然后，重点将转向1947年电子赞美诗的接受历史和对1975年和2013年“哥德斯洛布”的影响(共同部分和教区附录)。