The Modern Thought of Li Shutong or Hongyi and Its Relation to Ma Yifu's thought and Feng Zigai's Art

首先，我描述了李树彤的戏剧性生活，他在东京学习西方绘画和音乐，被认为是一位非常有天赋的艺术家，如下所示。在他很小的时候，他就以民族主义革命为导向，成为中国现代第一位有意救亡的多元艺术家，一方面是上海的南社公司，另一方面是一个寻欢作乐的文人。在他的家庭破产后，李成为了一所著名的公立学校的一名首席艺术教师，在那里，李和夏勉尊在汉州教冯子盖。虽然他很享受这份教书的工作，但他在39岁时开始斋戒后进入佛教，放弃了他的家庭和载体，成为一名杰出的艺术家和备受推崇的老师，但作为一名书法大师，他再也没有回到世俗生活中来。其次，我分析了李、马一夫和冯的思想，并对这三人进行了描述。我发现，李彦宏之所以出家，是因为他患有革命时代先锋艺术家特有的神经衰弱，想用佛教的方法治愈它，并希望超越社会进化民族主义的限制。试图把佛教和儒家混为一谈的汉州大学者马云，也在佛教观点上给了李启蒙。冯是李彦宏的狂热崇拜者，他没有进入涅槃，而是在自己的画作《曼华》中发现了天真无邪的孩子。

First I described a dramatic life of Li Shutong, who studied Western painting and music in Tokyo and was known as a very talented artist, as follows. when he was very young Li was nationalistic revolution-oriented so that he became the first Modern Chinese multi-artist intending save-the-nation art with a company of Nanshe in Shanghai on the one hand and a pleasure-seeking man of letters on the other hand. After his family's bankruptcy Li became a leading teacher of art at a famous public school where Li and Xia Mianzun taught Feng Zigai in Hanzhou. Although he enjoyed the teaching job, Li went into Buddhism after practicing fasting cure at his age of 39, gibing up his family and carrier as a prominent artist and a highly esteemed teacher but that of a master calligrapher and never came back to secular life again.Second I analyzed the thouphts of Li, Ma Yifu and Feng and related these three. I found that Li became a Buddhist monk because he had been suffering from nervous prostration peculiar to avant-garde artists of revolutionary time and wanted to cure it by Buddhist method and that Li was going to transcend the limitation of social evolutionary nationalism. Ma, a great scholar in Hanzhou, who tried to mix up Buddhism and Comfucianism also enlightened Li on Buddhist point. Feng, an ardent admirer of Li, discovered'innocent children'as important objects of his paintings called'manhua'instead of entering Nirvana.