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Research on Gender Perspective on the Aspect of Intellectual and Cultural Linkage among Asia in Modern China

近代中国亚洲思想文化联系方面的性别视角研究

基本信息

批准号：
16510196
负责人：
SAKAMOTO Hiroko
金额：
$ 2.18万
依托单位：
Hitotsubashi University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2004
资助国家：
日本
起止时间：
2004 至 2006
项目状态：
已结题

项目摘要

I placed this study as a first step for reconsideration of modern Chinese intellectual and cultural history from the broader perspective of international and inter-Asian linkage of intellectuals and cultures, and also from gender perspective.Specifically I have focused on how Chinese people who had visited foreign counties or reached out oversea Chinese frequently or been strongly affected by the Western books and their translations such as Luo Sen, He Ruzhang, Li Lixiaopu, Huang Qingcheng, Tan Sitong, Zhang Bing, Liang Shuming formed their eyes on foreigners on one hand. To analyze views on foreigners, I used not only literal materials but also visual materials such as post cards, posters, pictorials and modem cartoons. Using those visual materials also served as an important step to examine the representation of gender formed in connection with multilayered issues of national complex or identity and colonialism from the perspective of cultural linkage. Through this research I found modern Chinese people longed for civilization so much that they internalized social Darwinian nationalism in fear of invasion and got to concern Ainu people in Japan as negative example.In respect of cultural history, I focused on the representation of the obscure Modern Girls who expressed themselves only by their bodies and their life style, and thus never been recognized as a steadfast social group in later 1920s and 30s, especially ones created by young avant-garde artists in their works of cartoons for pictorials, rather than the prominent people indicated above. The Modern Girls have few literal records, and could not be the target of history also from their being the existence which surpassed one national history conventionally. I examined the Modern Girls are nevertheless historically important because multicultural popular culture in big colonial cities with concessions such as Shanghai cannot be formed without them.

我把这一研究作为从国际和亚洲知识分子和文化联系的更广泛视角以及性别视角重新思考中国现代思想文化史的第一步，具体来说，我关注的是那些经常访问外国或接触海外华人的中国人，或者受到西方书籍及其翻译如罗森，何如璋、李立晓普、黄庆诚、谭思彤、张滨、梁漱溟等一方面对外国人形成了好感;在分析对外国人的看法时，我不仅使用了文字材料，而且还使用了视觉材料，如明信片、海报、图画和现代漫画。使用这些视觉材料也是一个重要步骤，从文化联系的角度审查与民族情结或身份和殖民主义等多层次问题有关的性别表现。通过研究发现，近代中国人对文明的渴望，使社会达尔文主义的民族主义内化为对侵略的恐惧，并将日本阿伊努人作为反面教材加以关注。在文化史方面，我着重考察了那些只以身体和生活方式来表达自我的默默无闻的现代女孩的代表性，因此，在20世纪20年代后期和30年代，特别是那些由年轻的先锋艺术家在他们的漫画作品中创造的图画，而不是上面提到的杰出人物，从来没有被认为是一个坚定的社会群体。《摩登女郎》的文字记载很少，从她们作为一种超越一个民族历史的存在，也就不可能成为历史的对象。我研究了现代女孩的历史重要性，因为在上海这样的殖民地大城市，没有她们，多元文化的流行文化就无法形成。