Transformations of the "Canon" under the GHQ occupation policy studied by interdisciplinary and international methodology

我利用日本GHQ占领期杂志报纸信息数据库和马里兰大学普兰奇收藏对关键词“经典”、“正典”和“传统”相关的文章趋势进行了调查。并在美国国家档案馆收集研究资料，介绍日本“经典”的GHQ占领军。除了在早稻田大学20世纪媒体研究所研究小组的口头报告外，作为论文“围绕着新野”，村山友吉戏剧先锋，新和，2012,pp。367-394，“久雄朱兰与昭和现代主义文学的审查”，《审查、媒介与文学》，2012，第367-394页。133-140，《文乐学在京师占领时期的转型：作为一个经典》，2013，第68-78页，《情报》第13卷。

I investigated the trend of articles related to the keyword "classic", "canon" and "tradition" with the GHQ Occupation Period magazine newspaper information database in Japan and the University of Maryland Prange Collection. And in the United States National Archives, collecting research material about Japan "classic" of the GHQ occupation forces. In addition to the oral presentations in the Study Group The Institute of 20th Century Media in Waseda University, as paper "Around the Shinobi", Murayama Tomoyoshi Dramatic Vangurd, Shinwasha, 2012,pp.367-394, "Hisao Juran and the Censorship of Showa Modernist Literature", Censorship, Media and Literature, Shinyosha, 2012,pp.133-140,"The transformation of Bunraku in the GHQ occupation period:Being a Classical" 2013,pp.68-78,Intelligence,vol.13.