A Cultural Study of Autobiographical Writing and the Making of the Black Self

我发表了一份研究项目报告，题为自传体写作的文化研究和黑人自我的形成，其中包括以下四篇文章。九州大学语言文化研究图书馆第九卷“J.W.约翰逊的《前有色人种的自传》与”双重意识“”，探讨了这部伪装成自传的小说如何反映了W.E.B.杜波依斯所谓的“双重意识”，重点是情节发展的双重结构和叙述者-英雄的伪装感。本计画报告书中最新出现的“理查.莱特的黑人男孩与自传写作”，分析莱特如何建构他作为一个以语言为武器与白色世界抗争的自我肖像，并指出他的自我形成与自传写作的过程是平行的。“重写南方历史：欧内斯特·盖恩斯的《简·皮特曼小姐的自传》是我早期同名文章的修订版，讨论了盖恩斯巧妙地使用虚构自传的框架，试图从非裔美国人的角度重写南方历史。《拉尔夫·埃里森札记》揭示了埃里森是如何借用赖特的《黑男孩》中的一些情节，解构赖特直爽、激情、自然主义的叙事话语的。除了这四篇论文外，我还在研究这一主题的过程中写了关于福克纳、泰特和莱特尔的论文，即“福克纳、现代主义和历史意识，““艾伦泰特的《父辈与南方》”和“安德鲁莱特尔与旧南方的衰落”。“他们通过处理构成本研究中黑人作家作品背景的白色世界，为我的项目提供了一些启示，即使是间接的。

I published a research project report entitled A Cultural Study of Autobiographical Writing and the Making of the Black Self, which consists of the following four essays.1."J.W.Johnson's The Autobiography of an Ex-Coloured Man and ‘Double Consciousness,'" published in the nineth volume of The Studies of Languages and Cultures Library (Kyushu University), investigates how this fiction disguised as autobiography reflects what W.E.B.Du Bois called ‘double consciousness,' focusing on the double structure of its plot development and the narrator-hero's sense of disguise.2."Richard Wright's Black Boy and the Writing of Autobiography," which appeared newly in this project report, analyses how Wright constructs his self-portrait as a man who fights with the white world with his weapon of language and points out that his self formation parallels the process of writing his own autobiography.3."Rewriting Southern History : Ernest Gaines's The Autobiography of Miss Jane Pittman," a revised version of my earlier essay with the same title, discusses Gaines's skilful use of the framework of fictional autobiography in his attempt to rewrite Southern history from an African-American point of view.4."Some Notes on Ralph Ellison" reveals how Ellison borrows some episodes from Wright's Black Boy and, as it were, deconstructs the latter's straight, passionate, and naturalistic narrative discourse.In addition to these four essays, I wrote essays about Faulkner, Tate, and Lytle during my research on this theme of autobiographical writing and the making of the black self, namely, "Faulkner, Modernism, and Historical Consciousness," "Allen Tate's The Fathers and the South," and "Andrew Lytle and the Decline of the Old South." They shed some light, even if indirectly, on my project by dealing with the white world that forms the very background of the writings of the black writers taken up in this research.