Artistic and Literary Representations of Sacred Spaces - From New Classicism to Romanticism

“神圣空间的艺术与文学表现--从新古典主义到浪漫主义”这一主题的研究，旨在描绘19世纪法国的精神氛围。它的重点是18世纪中期到19世纪初的法国，特别是巴黎的地标建筑，如万神殿和玛德琳神庙，其中有绘画和雕塑形成了内部空间，以及外部空间，如位于主要纪念碑附近的花园。这项研究让我们看到“神圣空间”是如何表现的，它们是如何体现社会和宗教思想的，最后是它们与文学的关系。在这篇总结了我们研究结果的报告中，我们首先解释巴黎万神殿在建造时的最初意义，以及它是如何成为包括艺术家(Araki Zenta)在内的杰出个人的陵墓的。我们还分析了Madeleine Temp…的油漆天花板More Le是当时建筑的另一个显著例子，与画家和作家之间的交流(Tamura Takeshi)所带来的“浪漫主义和人类史诗的梦想”有关。就绘画而言，解读波德莱尔的批评作品，并将大卫的《马勒被暗杀》与道米尔的《变形街》进行比较，可以将新古典主义向现实主义的转变解读为所代表的理想与现实之间的冲突(吉村和崎)。我们的研究最终被初级研究人员的贡献拓宽了视角，如：对Watteau、Nodier、Nerval和Baudelaire所描述的理想天堂(Yasuoka(Taguchi)Aki)所描述的“Cythera岛”的考察，对19世纪末“巴黎郊区”的定义(出现在左拉的一些作品中作为田中隆三的田中隆三)，以及发现我们在Le Clezio的作品中发现的对超越个人自我的“宇宙”的表征是一种新的“空间神圣化”(铃木正雄)。附上了一份从广泛领域精心挑选的参考书目，其中包括建筑、绘画和文学(铃木正雄)。较少

The purpose of this research on the subject of "Artistic and Literary Representations of Sacred Spaces - From New Classicism to Romanticism" is to describe France's spiritual atmosphere in the 19^<th> century. Its focus is on mid-18^<th> century to early 19^<th> century France, and especially on such Parisian landmarks as the pantheon and the Madeleine temple, which host paintings and sculptures forming an internal space, as well as on external spaces such as the gardens that are located in the vicinity of major monuments. This study allows us to see how "sacred spaces" are represented, how they embody social and religious thought, and finally, how they relate to literature. In this summarized presentation of some of the results of our research, we begin by explaining what the pantheon in Paris was originally meant for when it was built, and how it became a mausoleum for illustrious individuals, including artists (ARAKI Zenta). We also analyze the painted ceilings of the Madeleine temp … More le, another remarkable example of the architecture of the time, in relation with "the dreams of romanticism and the human epic" enabled by exchanges between painters and writers (TAMURA Takeshi). As far as painting is concerned, a reading of Baudelaire's critical work and a comparison between David's "Mahler assassinated" and Daumier's "Transnanon street" provide material to construe the transition from new-classicism to realism as a conflict between represented ideals and reality (YOSHIMURA Kazuaki). Our research finally sees its perspective broadened by contributions from junior researchers such as : examinations of the "island of Cythera" that Watteau, Nodier, Nerval, and Baudelaire described as an ideal paradise (YASUOKA (TAGUCHI) Aki), a definition of the "suburbia of Paris" in the late 19^<th> century which appears in some works of Zola as a pastoral utopia (TANAKA Takuzo), and a discovery of the fact that representations of a "cosmos" that transcends an individual ego which we find in Le Clezio's writings are a new kind of "sacralization of space" (SUZUKI Masao). A bibliography carefully selected from a wide range of fields, which covers architecture, paintings and literature, is attached (SUZUKI Masao). Less