Tracing Regularities in Pedro Calderón de la Barca's Dramatic OEuvre with a Computational Approach

用计算方法追踪佩德罗·卡尔德隆·德·拉·巴尔卡戏剧作品中的规律

• 批准号: 508056339
• 负责人: Professor Dr. Hanno Ehrlicher
• 金额: --
• 依托单位: Institut für Maschinelle Sprachverarbeitung (IMS)
• 依托单位国家: 德国
• 项目类别: Priority Programmes
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/508056339?language=en
• 关键词: Tracing; Regularities; Pedro; Calder; de

Pedro Calderón de la Barca (1600–1680) was one of the most prolific writers of the Spanish Golden Age ("Siglo de Oro"), producing over two hundred dramas over the course of his life. In literary studies, the comedia nueva of the Spanish Golden Age is often assumed to be "irregular" compared to the works of French classical theatre. However, if each work was totally unique, how did Calderón produce such as vast œuvre? In this project, we aim at identifying recurring patterns in Calderón’s work, taking advantage of a recently created corpus of about 200 of his dramas (110 comedias nuevas and 84 autos sacramentales). We ask questions such as: Which regularities can be observed in the lexis, the semantics, and the dramatic structure used in these works? Which repetitions in the use of character constellations and typical characters can be found in both of the sub-genres Calderón used, the comedias and the autos sacramentales? And can the generalizations made on the basis of Calderón's dramatic œuvre be extended to further works of the Siglo de Oro? Specifically, we will integrate qualitative and quantitative methods of literary analysis to analyze four primary aspects of the comedias and autos sacramentales with regard to recurring elements: (a) analysis of choice and use of vocabulary, providing us with a fine-grained genre classification beyond the binary division into comedies and tragedies (using distributional methods); (b) identification of recurring character types and character interactions (using social network analysis); (c) characterization of overall dramatic structure anchored in utterance distribution and metrical structure; (d) analysis of the temporal dynamics of the observed regularities, which also enables us to propose datings of previously undated dramas written by Calderón. Finally, we will test the transferability of the methods developed in this research project on dramas written by other authors of the Siglo de Oro.

佩德罗·卡尔德龙·德·拉·巴萨（Pedro Calderón de la Barca，1600-1680）是西班牙黄金时代最多产的作家之一，一生创作了200多部戏剧。在文学研究中，与法国古典戏剧作品相比，西班牙黄金时代的新喜剧往往被认为是“不规则的”。然而，如果每一件作品都是独一无二的，卡尔德龙是如何创作出如此巨大的作品的呢？ 在这个项目中，我们的目标是确定在卡尔德龙的工作重复模式，利用最近创建的语料库约200他的戏剧（110个喜剧nuevas和84汽车sacramentales）。我们提出的问题是：在这些作品中使用的词汇、语义和戏剧结构中可以观察到哪些差异？在卡尔德龙使用的两个子类型（喜剧和汽车圣礼）中，可以找到哪些重复使用的人物星座和典型人物？在卡尔德龙戏剧作品的基础上所作的概括能延伸到黄金时代的其他作品吗？ 具体来说，我们将结合文学分析的定性和定量方法，分析喜剧和汽车圣礼剧的四个主要方面的重复出现的元素：（一）分析的选择和使用的词汇，为我们提供了一个细粒度的体裁分类超越二元划分为喜剧和悲剧（使用分布方法）;（B）识别重复出现的字符类型和字符相互作用（3）以话语分布和韵律结构为基础的戏剧整体结构的表征;（d）对观测到的日珥的时间动态进行分析，这也使我们能够对卡尔德龙以前写的未注明日期的戏剧提出年代测定。 最后，我们将测试的可移植性的方法，在这个研究项目中开发的戏剧写的其他作者的锡洛德奥罗。