Comparative practices in the creation, perpetuation and transformation of "national literature". The Case of German-speaking Switzerland. (E06#)

“民族文学”的创作、延续和转变的比较实践。

• 批准号: 509718523
• 金额: --
• 依托单位: Professur für Neuere Deutsche Literatur mit Schwerpunkt Literaturtheorie / Digital Humanities
• 依托单位国家: 德国
• 项目类别: Collaborative Research Centres
• 财政年份: 2022
• 资助国家: 德国
• 起止时间: 2021-12-31 至 2023-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/509718523?language=en
• 关键词: Comparative; practices; creation; perpetuation; transformation

Whenever one talks about 'national literature', comparisons are made. These often take the form of juxtaposing "Goethe vs. Shakespeare", of likening and contrasting literary customs or genres by country. At the same time, often profound and implicit ideas are constructed, for example about 'national characters' and their differences. But how do national literatures emerge through concrete, clustered practices of actors? What do they entail and what are alternative concepts? Our project explores these questions by examining the case of Swiss German literature 1850-1950, with its tension between autonomy, multilingualism, and literary traditions. Using a digital corpus of diverse texts from journalism, literary studies, and the cultural field, we apply text mining to comparative practices, rendering visible patterns of 'doing national literature'.

每当谈到“民族文学”时，人们都会进行比较。这些通常采取的形式并列“歌德与莎士比亚”，比喻和对比文学习俗或流派的国家。与此同时，往往是深刻和含蓄的想法，例如关于“民族性格”和他们的差异。但民族文学是如何通过行为者具体的、集群的实践出现的呢？它们意味着什么，什么是替代概念？我们的项目通过研究1850-1950年瑞士德语文学的案例来探讨这些问题，以及自治，多语言和文学传统之间的紧张关系。使用不同的文本从新闻，文学研究和文化领域的数字语料库，我们应用文本挖掘比较的做法，呈现可见的模式“做民族文学”。