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Research on the narrative of praboles in the stained-glasses of Chartres Cathedral.

沙特尔大教堂彩色玻璃中普拉博莱斯叙事的研究。

基本信息

批准号：
07610055
负责人：
KIMATA Motokazu
金额：
$ 1.15万
依托单位：
Nagoya University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1995
资助国家：
日本
起止时间：
1995 至 1996
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-07610055/
关键词：
stained glass Chartres Cathedral Christian art Gothic style parabole rhetoric narrative image 譬え話放蕩息子

项目摘要

1. As to the making of graphic materials of reserch, I have finished the magnifaication and the classification of important details in our slides taken before.2. I studies mainly the window of the parabole of Prodigal Son at Chartres Cathedral, and published a part of its results. I have made a report on the points that couldn't be treated in this publication. I developped considerations in these matters from the viewpoints that are : (1) historical survey on the posiition of parabloes in the religious practice of the Christianity, particularly in the Western Middle Ages, and on the functions accomplished by the visual images representing paraboles ; (2) consideration on a sort of visual rethoric, exploited in visual representations of paraboles and refined during the second half of the 12th century in the fiield of typologcal images that connects matters of the Ancient and New Testaments ; (3) clarification of the fact that this window seeks to realize visually a effective communication of theological messages included in the parabole through oppositions and analogies between the elements composing the story, and this fact requires to revise the view of Wolfgang Kemp, who proposed to see in this window a work attaching importance to the continuity of narrative development of the story ; (4) consideration on the visual rhetoric that explited the possiblities presented by articulation system and geometrical composition in this window, which are characteristic of this visual medium, the stained glass of the biginning of the 13th century.3. I have not developped sufficiently the study on the window of the Good Samaritan, that will be the object of coming research.

1.关于研究的图片材料的制作，我已经完成了我们以前拍摄的幻灯片中重要细节的放大和分类。我主要研究了Chartres大教堂《浪子假释》的窗口，并发表了部分结果。我已经就这本出版物中不能处理的要点做了一份报告。我对这些问题的思考是从以下观点展开的：(1)关于抛物线在基督教，特别是在西方中世纪的宗教实践中的地位的历史考察，以及关于代表抛物线的视觉图像所完成的功能；(2)考虑一种视觉上的刺激性，在抛物线的视觉表示中加以利用，并在12世纪下半叶在连接古约和新约的类型学图像领域得到提炼；(3)澄清这样一个事实，即这个窗口试图通过构成故事的元素之间的对立和类比，在视觉上实现对言语中所包含的神学信息的有效交流，这一事实需要修改沃尔夫冈·坎普的观点，他建议在这个窗口中看到一部重视故事叙事发展连续性的作品；(4)考虑视觉修辞，说明这个窗口中的发音系统和几何构成所呈现的可能性，这是这种视觉媒介的特征，是13世纪大背景的彩色玻璃。我还没有充分展开对好心人之窗的研究，这将是下一步研究的对象。