Research on the narrative of praboles in the stained-glasses of Chartres Cathedral.

沙特尔大教堂彩色玻璃中普拉博莱斯叙事的研究。

基本信息

批准号：
07610055
负责人：
KIMATA Motokazu
金额：
$ 1.15万
依托单位：
Nagoya University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1995
资助国家：
日本
起止时间：
1995 至 1996
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-07610055/
关键词：
stained glass Chartres Cathedral Christian art Gothic style parabole rhetoric narrative image 譬え話放蕩息子

项目摘要

1. As to the making of graphic materials of reserch, I have finished the magnifaication and the classification of important details in our slides taken before.2. I studies mainly the window of the parabole of Prodigal Son at Chartres Cathedral, and published a part of its results. I have made a report on the points that couldn't be treated in this publication. I developped considerations in these matters from the viewpoints that are : (1) historical survey on the posiition of parabloes in the religious practice of the Christianity, particularly in the Western Middle Ages, and on the functions accomplished by the visual images representing paraboles ; (2) consideration on a sort of visual rethoric, exploited in visual representations of paraboles and refined during the second half of the 12th century in the fiield of typologcal images that connects matters of the Ancient and New Testaments ; (3) clarification of the fact that this window seeks to realize visually a effective communication of theological messages included in the parabole through oppositions and analogies between the elements composing the story, and this fact requires to revise the view of Wolfgang Kemp, who proposed to see in this window a work attaching importance to the continuity of narrative development of the story ; (4) consideration on the visual rhetoric that explited the possiblities presented by articulation system and geometrical composition in this window, which are characteristic of this visual medium, the stained glass of the biginning of the 13th century.3. I have not developped sufficiently the study on the window of the Good Samaritan, that will be the object of coming research.

1。关于Reserch的图形材料的制作，我在幻灯片之前完成了放大剂和重要细节的分类。2。我主要研究Chartres Cathedral浪子儿子的副人的窗户，并出版了其结果的一部分。我已经就本出版物无法处理的观点进行了报告。我从这些问题的角度开始考虑：（1）关于基督教宗教实践（尤其是在中世纪西部的宗教实践）中对帕拉布洛人的姿势的历史调查，以及代表旁皮的视觉图像所完成的功能；（2）考虑一种视觉重复性，在副代表的视觉表现形式中被利用，并在12世纪下半叶进行了精炼，在连接古代和新约的事物的典型图像中。（3）澄清了此窗口试图通过视觉上实现在副人物中包含的神学信息的有效沟通，这是通过组成故事的元素之间的对立和类比，而这个事实需要修改沃尔夫冈·肯普（Wolfgang Kemp）的观点，他提议在此窗口中看到对故事的连续发展的重要性；（4）对视觉修辞的考虑，探讨了此窗口中发音系统和几何成分所呈现的可能性，这是这种视觉介质的特征，即13世纪的染色玻璃。3。我还没有在良好的撒玛利亚人的窗口上进行足够的研究，这将是即将进行研究的对象。