Metaphor of seal and imprint : image and visuality in the Western Middle Ages

我们在13世纪下半叶英国古尔本基安启示录的缩影中解释了上帝持有的一个巨大的黄金印章矩阵的主题，参考了三位一体和维罗尼卡。并根据莱歇斯堡的彼得·隆巴德和格霍等学院派前学者关于诗篇4：7的一些训诫文本，提出了根据蜡碑上印记产生的印记模型来理解每个信徒形成的圣面的内在愿景的可能性。

We explained the motif of a big gold seal matrix hold by God in a miniature of the Gulbenkian Apocalypse illuminated in England in the second half of the 13th century with reference to the Trinity and the Veronica. And we proposed the possibility to understand the inner vision of the Saint Face formed in each believer according to the model of an imprint produced by a seal impression on wax tablet, based on the some exgetical texts on the Psalm 4:7 written by pre-scholastics such as Peter Lombard and Gerhoh of Reichersberg.