Research on the iconographical program in the stained glass of Chartres cathedral

沙特尔大教堂彩色玻璃图像程序的研究

• 批准号: 13610067
• 负责人: KIMATA Motokazu
• 金额: $ 2.37万
• 依托单位: Nagoya University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2001
• 资助国家: 日本
• 起止时间: 2001 至 2002
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610067/
• 关键词: Chartres; stained glass; France; Christianity; Gothic art; Iconographical program; 美術史; キリスト教美術; ゴシック; 図像学; ステンド・グラス; 教会神学

We have presented a prospect on the functions that the windows of Chartres cathedral could assume, by requestioning the too easy way ot seeing medieval wall paintings and stained glasses as "the Bible for the illiterates", and by giving a perspective of the differences between image and word, possibilities particular to visual image, and partnership between image and word. Next, we have argued on the different interpretations about the problem of who was the sender of massages of windows and who are their receivers ; and we concludied that it is the priesthood who cotroled the cathedral that conseived consistently the iconography of windows and that this iconographical program had probably as its target the congregation including the priesthood. The windows of Chartres cathedral speak insistently of the Church, that is the Ecclesia. The background of this fact must be a critical situation surrounding the Catholic Church of around 1200 : hereies, Jews. Byzantine, Islam... In this situation, it has been required to share the ideal of the Curch with its all compoanents, in the midst of the cathedral chauch of Chartres. In this meaning, windows of Chartres have universal messages surpassing localness.

本文通过对中世纪壁画和彩色玻璃被视为“文盲的圣经”这一过于简单的认识方式的追问，以及对图像与文字的区别、视觉图像特有的可能性、图像与文字的伙伴关系的透视，对沙特雷斯大教堂窗户所能承担的功能进行了前景展望。接下来，我们讨论了关于谁是窗户按摩的发送者和谁是他们的接收者的问题的不同解释;我们得出结论，这是控制大教堂的神职人员，他们始终如一地考虑了窗户的图像，并且这个图像计划可能是其目标，包括神职人员在内的会众。沙特雷斯大教堂的窗户在内心深处诉说着教会，那就是教会。这一事实的背景一定是围绕1200年左右天主教会的危急局势：异教徒、犹太人。拜占庭，伊斯兰教...在这种情况下，它已被要求分享的理想，其所有组成部分，在大教堂chauch的沙特雷斯。在这个意义上，沙特雷斯的窗户具有超越地方性的普遍信息。

项目成果

木俣元一: "シャルトル大聖堂のステンドグラス"中央公論美術出版. 40 (2003)

木田源一：《沙特尔大教堂的彩色玻璃》中央公论美术出版社 40 (2003)。

KIMATA, Motokazu: "Stained glass of Chartres Cathedral"Chuokoron-hijutu-shuppann. (2003)

KIMATA，Motokazu：“沙特尔大教堂的彩色玻璃”Chuokoron-hijutu-shuppann。

木俣元一: "シャルトル大聖堂のステンドグラス"中央公論美術出版. 420 (2003)

木田源一：《沙特尔大教堂的彩色玻璃》中央公论美术出版社 420 (2003)。

木俣元一: "聖ニコラウス像を罰するユダヤ教徒1200年前後のカトリック教会におけるポレミカルな図像"西洋美術研究. 6. 22-34 (2001)

Motoichi Kimata：“公元 1200 年左右天主教堂中的争议图像，用圣尼古拉斯雕像惩罚犹太人”《西方艺术研究》6. 22-34 (2001)。