Research on the iconographical program in the stained glass of Chartres cathedral

沙特尔大教堂彩色玻璃图像程序的研究

• 批准号: 13610067
• 负责人: KIMATA Motokazu
• 金额: $ 2.37万
• 依托单位: Nagoya University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2001
• 资助国家: 日本
• 起止时间: 2001 至 2002
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610067/
• 关键词: Chartres; stained glass; France; Christianity; Gothic art; Iconographical program; 美術史; キリスト教美術; ゴシック; 図像学; ステンド・グラス; 教会神学

We have presented a prospect on the functions that the windows of Chartres cathedral could assume, by requestioning the too easy way ot seeing medieval wall paintings and stained glasses as "the Bible for the illiterates", and by giving a perspective of the differences between image and word, possibilities particular to visual image, and partnership between image and word. Next, we have argued on the different interpretations about the problem of who was the sender of massages of windows and who are their receivers ; and we concludied that it is the priesthood who cotroled the cathedral that conseived consistently the iconography of windows and that this iconographical program had probably as its target the congregation including the priesthood. The windows of Chartres cathedral speak insistently of the Church, that is the Ecclesia. The background of this fact must be a critical situation surrounding the Catholic Church of around 1200 : hereies, Jews. Byzantine, Islam... In this situation, it has been required to share the ideal of the Curch with its all compoanents, in the midst of the cathedral chauch of Chartres. In this meaning, windows of Chartres have universal messages surpassing localness.

我们已经提出了一个前景，即Chartres Cathedral可以假设的功能，通过要求将中世纪壁画和彩色眼镜视为“文盲的圣经”，并通过对图像和单词之间的差异进行观点，对图像和单词之间的差异，对图像的可能性以及图像和文字之间的合作伙伴关系的差异。接下来，我们讨论了关于谁是窗户按摩和谁是接收器的问题的不同解释。我们得出的结论是，正是圣职是在大教堂的统治者中始终如一地将Windows的肖像造影，并且该肖像画计划可能是包括教士在内的会众的目标。大教堂的窗户对教会（即教会）坚持不懈。这一事实的背景必须是围绕1200左右天主教堂的关键局势：犹太人，犹太人。拜占庭，伊斯兰教...在这种情况下，必须在大教堂的夏普尔大教堂中分享式式式式的理想。在这种含义上，窗口的窗户具有超过本地性的通用信息。

项目成果

木俣元一: "シャルトル大聖堂のステンドグラス"中央公論美術出版. 40 (2003)

木田源一：《沙特尔大教堂的彩色玻璃》中央公论美术出版社 40 (2003)。

KIMATA, Motokazu: "Stained glass of Chartres Cathedral"Chuokoron-hijutu-shuppann. (2003)

KIMATA，Motokazu：“沙特尔大教堂的彩色玻璃”Chuokoron-hijutu-shuppann。

木俣元一: "シャルトル大聖堂のステンドグラス"中央公論美術出版. 420 (2003)

木田源一：《沙特尔大教堂的彩色玻璃》中央公论美术出版社 420 (2003)。

木俣元一: "聖ニコラウス像を罰するユダヤ教徒1200年前後のカトリック教会におけるポレミカルな図像"西洋美術研究. 6. 22-34 (2001)

Motoichi Kimata：“公元 1200 年左右天主教堂中的争议图像，用圣尼古拉斯雕像惩罚犹太人”《西方艺术研究》6. 22-34 (2001)。