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A research of the manuscript of Gyoe annotated Tale of Ise

行卫注《伊势物语》手稿研究

基本信息

批准号：
08610448
负责人：
YAMAMOTO Tokurou
金额：
$ 1.28万
依托单位：
Koka Women's College
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1996
资助国家：
日本
起止时间：
1996 至 1998
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-08610448/
关键词：
Tale of Ise annotations hand-written additions manuscript the Reiz el style Tessinsai-bunko

项目摘要

In the collection of Tessinsai-bunko, there are many kinds of manuscripts of Tale of Ise which have hand-written additions of annotations on the upper page space and between lines. I take out of them Gyce annotated Tale of ise of Jyokyu 3rd which is one of the worthiest of noticing. I minutely examine those notes.The manuscript was annotated by a Buddhist priest Gyoe at first, who was an authentic heir to the Nijyou school for Japanese poetry in the latter Muromati period, and he took a dif ferent standpoint from the other famous heir Sougi. The manuscript was copied by Kenshun (a son of Rennyo), a Buddhist priest of Honganji Temple. It is supposed that Kenshun got the manuscript through Keikou in Shoren-in Temple. The present manuscript seems to have been copied by more people afterwards. Many books of interpretations done by Sougi-school are left until present, but those done by Gyoe-school are very few left. Especially, this is the only one manuscript of Tale of Ise which tells Gyoe's own theory. In this sense, those annotations are very precious.In this manuscript, there are other old annotations, too, and, they are marked by special signs. This seems to show Gyoe put his own annotations adding to the older annotations. Usually in these books of interpretations interpreters present almost unnecessary old annotations and add their own theories in order to deny the earlier ones. These presentations seem to adapt the style of putting additional annotations over the earlier ones. This manuscript is important in the sense that it tells how the ancient interpreters established their system.I put as a reference-material a catalog of Tale of Ise in the collection of Tessinsai-bunko.No.14, whiich was planned based on this research and exhibited in public.

《伊势记》手抄本中，有许多种手抄本在上页和行间都有手写的注释。我把其中最值得注意的一本书——《琉球记》第三部的《琉球记》摘掉了。我仔细检查了那些笔记。该手稿最初是由禅师圭作注释的，他是室间后期日本诗歌的真正继承人，与另一位著名的继承人苏吉持不同的观点。该手稿是弘庵寺禅师贤顺（仁约之子）抄写的。据推测，Kenshun是通过shorenin寺的Keikou得到了这份手稿。现在的手稿似乎后来被更多人抄写过。苏宗的释经书流传至今，但教宗的释经书已所剩无几。特别是，这是《伊势物语》中唯一一份讲述圭自己理论的手稿。从这个意义上说，这些注释是非常宝贵的。在这份手稿中，还有其他古老的注释，并以特殊的符号标记。这似乎表明Gyoe将自己的注释添加到旧的注释中。通常，在这些释经书中，释经者提出几乎没有必要的旧注释，并加上他们自己的理论，以否定早期的注释。这些演示文稿似乎采用了在之前的演示文稿上添加额外注释的风格。这份手稿很重要，因为它讲述了古代诠释者如何建立他们的体系。我把《伊势物语》的目录作为参考资料放在了tessinai -bunko的合集里。14、在此研究基础上策划并公开展示。