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The Cultural Significance of the Representations of the Construction of Female Selfhood by Mery Wroth

梅里·沃思女性自我建构表征的文化意义

基本信息

批准号：
11610502
负责人：
KUSUNOKI Akiko
金额：
$ 2.5万
依托单位：
Tokyo Woman's Christian University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1999
资助国家：
日本
起止时间：
1999 至 2001
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-11610502/
关键词：
English Renaissance Culture Women Writers English Renaissance Drama Shakespeare Gender the English Renaissance the Elizabetham Period the Jacobean period 英国ルネサンス英国ルネサンス演劇 17世紀英国文化シドニー家

项目摘要

The aims of this project are to examine how women s attempts to construct their subjectivity are represented in Lady Mary Wroth s works and to explore the cultural and social significance Of these representations in terms of gender and sexuality in Early modem England. The approach taken for this purpose is to juxtapose the representations made by Wroth as well as by other women writers with those by male writers in the Elizabethan and Jacobean period. The focus has been placed on comparative studies of the representations of female assertion of selfhood in the writings of Mary Wroth and other contemporary women writers, and those in male-authored plays, especially of Shakespeare, Webster, Middleton, and Beaumont and Fletcher.The project undertaken from 1999 to 2001 has concerned mainly following six issues.1. The representations of the construction of female selfhood in Mary Wroth s prose romance, Urania and those in male-authored plays.2. Women and public print culture in the English Renaissance.3. The representations of male inconstancy and women s agency in Wroth s works and those in maleauthored plays.4. Comparative studies of the representations of female selfhood by Mary Wroth and those by other contemporary women writers, especially Mary Sidney Herbert, Elizabeth Caiy, Isabella Whitney and Rachel Speght.5. Women and romance traditions in the English Renaissance.6. Cross-cultural studies of the representations of female seithood in Mary Wroth s works, those in male-authored English Renaissance plays, and those in Kabuki plays.

本项目的目的是考察S试图建构主体性的女性在玛丽·沃思·S夫人的作品中是如何被表现出来的，并从性别和性行为的角度探索这些表现在现代早期英国的文化和社会意义。为此采取的方法是将罗斯和其他女作家的陈述与伊丽莎白和雅各布时期男性作家的陈述进行比较。比较研究的重点是玛丽·沃思和其他当代女作家的作品以及男性创作的戏剧，特别是莎士比亚、韦伯斯特、米德尔顿、博蒙特和弗莱彻的作品中女性自我主张的表现。S散文《罗曼蒂克》、《乌拉尼亚》和男性创作剧作中女性自我建构的表现。英国文艺复兴时期的女性与公共印刷文化。男性反复无常和女性S在愤怒的S作品和男作家剧作中的表现。比较研究玛丽·沃思和其他当代女作家，特别是玛丽·西德尼·赫伯特、伊丽莎白·凯伊、伊莎贝拉·惠特尼和蕾切尔·斯皮特对女性自我的表现。英国文艺复兴时期的女性与浪漫传统。对玛丽·沃思·S作品、英国文艺复兴时期男性创作的戏剧和歌舞伎剧中的女性世系形象的跨文化研究。