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Formation and transformation of the traditions in African sound cultures: Researches on their social factors

非洲健全文化传统的形成与变迁：社会因素研究

基本信息

批准号：
12371006
负责人：
KAWADA Junzo
金额：
$ 11.28万
依托单位：
Kanagawa University (2002)Hiroshima City University (2000-2001)
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (A)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2002
项目状态：
已结题

项目摘要

To study African sound cultures from the dynamic point of view on the "tradition", we can recognize two levels: the macroscopic and the microscopic levels. The first implies the research in the wide perspective of comparative study of culture history, investigating the possible cause and result relations between several elements, as well as the diffusion of these elements. The second level consists of the study on the formation and the transformation of certain sound culture phenomena of relatively short time range, based on the actual historical facts that can be determined by detailed dates of relevant social and political events. On this level of research, political and thus intentional actions on sound cultures, in particular on national levels after the independence of new African nations.The research carried out by J. Kawada, on the relationship between the sound culture and the formation and the transformation of the historical cognition and representation, can be considered as … More an example of the first level. Kawada focussed on the vocal performing arts of "praising" a person with his genealogy, elaborated and largely practiced in certain West African societies; it contributed much to evoke the historical consciousness not only in the person in question, but also in the audience. The researches carried out by another members of the project are on the second level. K. Tsukada made a detailed study on the formation and the transformation of the Fanti (Ghana) court music, in relation to the cultural policy of Ghanean government just after the independence, in particular under the leadership of President N'Kurumah. H. Suzuki studied the dynamic aspects of popular music in Guinea, which was much used as an important means to evoke the national sentiment in this new nation. K. Ikeya's research focused on the detailed investigations on the songs accompanied by the finger piano, their performing techniques and the verbal contents, the first and precious analysis of this sort. Less

从“传统”的动态角度研究非洲声音文化，可以分为宏观和微观两个层面。一是从文化史比较研究的大视角进行研究，考察几个要素之间可能存在的因果关系，以及这些要素的扩散情况。第二个层次是根据有关社会和政治事件的详细日期可以确定的实际历史事实，研究相对较短时间范围内的某些声音文化现象的形成和转化。在这一层面上，对声音文化的政治和故意行为，特别是在新的非洲国家独立后的国家层面上。J.Kawada关于声音文化与历史认识和表征的形成和转变的关系的研究，可以被认为是…更多的是第一个层次的例子。川田专注于用一个人的家谱来“赞扬”一个人的声乐表演艺术，在某些西非社会中进行了详细的阐述和实践；它不仅对唤起这个人的历史意识做出了很大贡献，而且在观众中也是如此。该项目的其他成员进行的研究处于第二层次。K.Tsukada对Fanti(加纳)宫廷音乐的形成和转变进行了详细的研究，这与加纳独立后政府的文化政策有关，特别是在N‘Kurumah总统的领导下。铃木研究了几内亚流行音乐的动态方面，这被广泛用作在这个新国家唤起民族情感的重要手段。池谷先生的研究主要集中在对指琴伴奏歌曲及其演奏技巧和语言内容的详细考察上，这是第一次对指琴伴奏歌曲进行宝贵的分析。较少