Dynamic Spaces: The Coan Sanctuary of Asclepius During Feast and Healing Ritual

动态空间：盛宴和治疗仪式期间阿斯克勒庇俄斯的科恩圣所

• 批准号: 531069983
• 负责人: Dr. Asja Müller
• 金额: --
• 依托单位: Institut für Klassische Archäologie
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/531069983?language=en
• 关键词: Dynamic; Spaces; Coan; Sanctuary; Asclepius

The research project aims to analyse Hellenistic architecture (using the Asklepieion of Cos as an example) at a specific point in time (mid-2nd century BC) in terms of its interaction with the action and perception of human actors (external festival observers [theoroi]; locally based healing seekers) in two concrete ancient experiential situations (festival and healing ritual). The planned study focuses on Hellenism, since according to the findings of historical research, this period represents a key moment in the development of a new consciousness for the control of actor response. A digital model of the sacred complex, to be created from scratch, will serve as a heuristic instrument that (among others) includes these actors' bodies as avatars and is capable of simulating their specific patterns of movement and perception (serious gaming approach). At the end of the project, the result should not only be the knowledge of what kind of spatial constellations have been designed with regard to certain types of actors and actions; it is also decidedly a matter of developing explanatory models for the design of these processual spatial perception options that were tied to the respective types of actors and their actions (e.g. targeted movement and view guidance of the foreign festival observers as a means of controlling the aesthetic [external] effect of the festival). Thus, in addition to previous overarching conclusions on Hellenistic architecture, the diversity of ancient built space is to be considered more closely.

该研究项目旨在分析希腊化建筑（以科斯的Asklepieion为例）在一个特定的时间点（公元前世纪中期），在两个具体的古代经验情况下（节日和愈合仪式）与人类行为者（外部节日观察者[theoroi];当地的愈合寻求者）的行为和感知的相互作用。计划的研究重点是希腊化，因为根据历史研究的结果，这一时期代表了控制演员反应的新意识发展的关键时刻。一个数字模型的神圣复杂，从零开始创建，将作为一个启发式的工具，（除其他外）包括这些演员的身体作为化身，并能够模拟他们的特定模式的运动和感知（严重的游戏方法）。在项目结束时，其结果应不仅是了解针对某些类型的行为者和行动设计了何种空间星座;这也是一个明确的问题，即为设计这些过程性空间感知选项开发解释性模型，这些选项与相应类型的参与者及其行动有关（例如，有针对性地移动和引导外国节日观察者观看，作为控制节日的美学[外部]效果的手段）。因此，除了先前对希腊化建筑的总体结论外，古代建筑空间的多样性也需要更密切地考虑。