Dynamic Spaces: The Coan Sanctuary of Asclepius During Feast and Healing Ritual

动态空间：盛宴和治疗仪式期间阿斯克勒庇俄斯的科恩圣所

• 批准号: 531069983
• 负责人: Dr. Asja Müller
• 金额: --
• 依托单位: Institut für Klassische Archäologie
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/531069983?language=en
• 关键词: Dynamic; Spaces; Coan; Sanctuary; Asclepius

The research project aims to analyse Hellenistic architecture (using the Asklepieion of Cos as an example) at a specific point in time (mid-2nd century BC) in terms of its interaction with the action and perception of human actors (external festival observers [theoroi]; locally based healing seekers) in two concrete ancient experiential situations (festival and healing ritual). The planned study focuses on Hellenism, since according to the findings of historical research, this period represents a key moment in the development of a new consciousness for the control of actor response. A digital model of the sacred complex, to be created from scratch, will serve as a heuristic instrument that (among others) includes these actors' bodies as avatars and is capable of simulating their specific patterns of movement and perception (serious gaming approach). At the end of the project, the result should not only be the knowledge of what kind of spatial constellations have been designed with regard to certain types of actors and actions; it is also decidedly a matter of developing explanatory models for the design of these processual spatial perception options that were tied to the respective types of actors and their actions (e.g. targeted movement and view guidance of the foreign festival observers as a means of controlling the aesthetic [external] effect of the festival). Thus, in addition to previous overarching conclusions on Hellenistic architecture, the diversity of ancient built space is to be considered more closely.

该研究项目旨在在特定时间点（以公元前2世纪中期）的方式分析希腊化建筑（以COS的asklepieion为例），以与人类参与者的行动和感知（外部节日观察者[Theoroi];本地基于本地的基于基于本地的康复者）的互动，在两个混凝土远古时代）中。计划研究的重点是希腊化，因为根据历史研究的发现，这一时期代表了发展新意识以控制演员反应的关键时刻。从头开始创建的神圣复合物的数字模型将用作启发式工具，包括这些演员的身体作为化身，并能够模拟其特定的运动和感知模式（严肃的游戏方法）。在项目结束时，结果不仅应该了解某些类型的参与者和行动已经设计了哪种空间星座；这也是一个问题，要开发与各种各样类型的演员及其行为相关的这些过程空间感知选项设计的解释模型（例如，针对性的运动和观察外国节日观察者的指导是控制节日的审美[外部]效果的手段）。因此，除了以前关于希腊化建筑的总体结论外，还应更仔细地考虑古代建筑空间的多样性。