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A Study on the Stage Business of Elizabethan Drama at the Globe

环球伊丽莎白戏剧舞台经营研究

基本信息

批准号：
13610566
负责人：
OTA Kojin
金额：
$ 1.73万
依托单位：
Kyoto University of Education
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2001
资助国家：
日本
起止时间：
2001 至 2002
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610566/
关键词：
The Globe Shakespeare Elizabethan Drama stage directions The Rose stage posts trap door upper stag blocking movement letter scenes

项目摘要

In order to analyze the original staging of English Renaissance drama in general, about 150 plays were examined in British Library in London, and over 100 plays in the facsimile form in Japan, after careful checks of some databases and dictionaries of stage directions.The present research focuses on the stage business of letter scenes and the uses of the stage posts, the trap door(s) and the balcony stage.(1) In the letter scenes of Two Gentlemen of Verona , for instance, has many aspects in common with the same kind of scenes written by other writers such as Marlowe and Greene. The use of letters as properties was obviously encouraged by the contemporary fashion of letter writing, which were confirmed by my research on 16th-century manuals of letter writing and letter scenes of other Elizabethan dramatists in BL.(2)Stage posts were occasionally used as signs for places and directions until 1600s; in 1610s, they provided the place where characters could hide themselves, or where instruments and people were fastened; later on, more elaborate, somewhat burlesque use of posts were invented, for example, as a partner for fencing practices.(3) Trap doors have been usually associated with the hell, which is also the space below the stage. Indeed many examples are found where ghosts, devils or witches enter through trap doors, but the doors are as often used as the entrance to downstairs, sometimes to an underground cell without any connection to the hell. In comedies, especially, trap doors often refer to downstairs space physically. The signification of theatre spaces can be influenced by the genres of drama.(4) Even when the use of the upper stage is instructed in the early edition of a play, given the particular theatres and halls the company could use for their performances, the upper stage could not been used in many cases.

为了从总体上分析英国文艺复兴时期戏剧的原始上演情况，我们在查阅了一些数据库和舞台指南词典之后，查阅了伦敦大英图书馆收藏的约150部戏剧和日本的100多部复制版戏剧，重点研究了字母场景的舞台业务以及舞台柱子、活板门和阳台舞台的使用。(1)例如，《维罗纳的两位绅士》中的书信场景与马洛、格林等作家的同类场景有许多共同之处。使用字母作为财产显然是鼓励当代时尚的写信，这是由我的研究证实了16世纪的书信写作手册和字母场景的其他莎士比亚戏剧家在BL。（2）直到17世纪，舞台柱子偶尔被用作地点和方向的标志;在17世纪10年代，它们提供了人物可以隐藏自己的地方，或者乐器和人被固定的地方;后来，更复杂的，有点滑稽的柱子被发明出来，例如，作为击剑练习的伙伴。(3)活板门通常与地狱联系在一起，地狱也是舞台下面的空间。事实上，有许多例子表明，鬼魂、魔鬼或女巫通过活板门进入，但这些门经常被用作通往楼下的入口，有时是通往地下牢房，与地狱没有任何联系。特别是在喜剧中，活板门通常指的是楼下的空间。剧场空间的意义会受到戏剧类型的影响。(4)即使在早期版本的戏剧中指示使用上层舞台，考虑到公司可以用于演出的特定剧院和霍尔斯，上层舞台在许多情况下无法使用。