Study of the Modern Gagaku Tradition : Focusing on the Promotion of Gagaku as the Official Music of Shinto Ritual

现代雅乐传统研究:以雅乐作为神道仪式官方音乐的推广为重点

• 批准号: 14510069
• 负责人: TSUKAHARA Yasuko
• 金额: $ 1.73万
• 依托单位: Tokyo National University of fine Arts and Music
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2002
• 资助国家: 日本
• 起止时间: 2002 至 2003
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14510069/
• 关键词: gagaku(Japanese court music); pri-war years; Shinto rituals; History of Japanese music; Tenri-kyo; 宮内省楽部

This study examines the introduction of gagaku into the Shinto rituals of the Imperial Court and Shinto shrines during the pre-war years.Following the Meiji Restoration, gagaku was assimilated into the new ceremonies associated with imperial ancestor worship. During this process, the genre of gagaku viewed as central shifted from togaku to the indigenous song and dance forms. The form that gained most importance was kagura, which replaced togaku as the music used to accompany the presentation and removal of offerings to the gods during 1870-73, and used again in this context in 1938.On the other hand, the incorporation of gagaku into Shinto shrine ritual proceeded more slowly. From 1883 musicians from the Gagaku Bureau began to teach at Koten Kokyousho, while around 1900 they also taught gagaku workshops for Shinto priests, held at sites throughout the country. In addition, it was at about this time that many of the new Shinto cults, such as Tenri-kyo, began to adopt gagaku as their ritual music. In this way, gagaku of the modern period acquired an unprecedented new image and reality as the music of the Shinto religion.

这项研究研究了在战前几年中将加加库引入帝国法院和神托神社的神道仪式。遵循明治修复，加加库被同化为与帝国祖先崇拜相关的新仪式。在此过程中，Gagaku的流派被视为中央的类型从Togaku转移到了土著歌曲和舞蹈形式。获得最重要的形式是Kagura，它取代了Togaku，因为它用来伴随着1870 - 73年期间向众神献祭的音乐，并在1938年的这种情况下再次使用。另一方面，Gagaku融入了Shinto Shinto Shrine Rititual，进行了更缓慢地进行。从1883年开始，来自Gagaku局的音乐家开始在Koten Kokyousho任教，而1900年左右，他们还为神道牧师教授了Gagaku的讲习班，该讲习班在全国各地举行。此外，大约在这个时候，许多新的神道崇拜者，例如Tenri-kyo，都开始采用Gagaku作为他们的仪式音乐。这样，现代的加加库（Gagaku）将新的形象和现实作为神道宗教的音乐以史无前例的新形象和现实。

项目成果

塚原 康子: "幕末維新期の雅楽再編"維新史学会論集(吉川弘文館). 7巻. (2004)

冢原泰子：《江户时代末期和明治维新时期的雅乐重组》明治维新历史学会论文集（吉川公文馆）第7卷（2004年）。

塚原 康子: "明治11年の式部寮雅楽課"東京芸術大学音楽学部紀要. 29号. 79-95 (2004)

冢原康子：《1890 年式部通灵雅乐部》东京艺术大学音乐学院通报第 29 期。79-95（2004 年）。

TSUKAHARA Yasuko: "Musical Activities of the Gagaku Department, Bureau of Ceremonies(Shikibu-ryo Gagaku-ka) in Meiji 11(1878)"Bulletin, Faculty of Music, Tokyo National University of Fine Arts and Music. No.29. 79-95 (2004)

冢原靖子：《明治11年（1878年）礼部雅乐部的音乐活动》，东京艺术大学音乐学部通报。

塚原 康子: "幕末維新期の雅楽再編"幕末・維新論集(吉川弘文館). (2004)

冢原康子：《江户末期明治维新时期的雅乐重组》江户末期明治维新论文集（吉川公文馆）（2004年）。

TSUKAHARA Yasuko(Haga Shoji ed.): "Reorganization of Gagaku after the Meiji Restoration"Collection of Papers on the Meiji Restoration. Vol.7(in printing). (2004)

冢原泰子（芳贺正司主编）：《明治维新后雅乐的整顿》明治维新论文集。