Pitch and temperament of the Japanese folk music and utai -How to stop the invasion of the western equal temperament into traditional japanese music

在小学和初中，传统的日本音乐经常以平等的气质演奏。在西方气质下演奏的日本音乐听起来很奇怪，失去了它原有的美。本研究的目的在于分析能乐大师的尤太音高，防止西方音高作为能乐侵入日本传统音乐。在本研究中，对“Kaede irozuku yama no asa wa”的各种短短语进行了F0（基频）分析。

In the elementary and junior high schools traditional japanese music is played often in equal temperament. Japanese music played in western temperament sounds strange and queer and loses its original beauty. The purpose of the research is to analyze the pitch of Utai tone of the Noh masters and to prevent invasion of western pitch cense into Japanese traditional music as Nohgaku. In this study the various short utai phrases "Kaede irozuku yama no asa wa" are analyzed to the F0 (fundamental frequency).