The basic study about the cultural hierarchy of the Calligrapher in the publication in the first half of the early modern times

近代上半叶出版中书法家文化层次的基础研究

• 批准号: 23520234
• 负责人: MORI Shiro
• 金额: $ 2.16万
• 依托单位: Kyoto Prefectural University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2011
• 资助国家: 日本
• 起止时间: 2011 至 2013
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-23520234/
• 关键词: 江戸版; 筆工; 書家; 置散子; 右筆; 版本; 書写; 版下; 御家流

The publication with a unique production of books style published by the Edo era in earlier period of early modern times is called "Edoban".It is said that an illustrator of Edo represented by Moronobu Hishikawa was concerned about the block copy of the cut, but is missing about the block copy of the text.At first, in this study, "Edoban" "was unique" how and "own examined closely, but, as a result, understood that the text block copy for Edo followed the style of the upper part joruri book basically Jyoururibon".In addition, I was more generous than an upward version, and there were a lot of things which had the style of handwriting of a sharp letter, but they were relieved within "the Oie school of calligraphy" that was a standard book style in those days so as to be severe at time.People who engaged in these as a Calligrapher might be unemployed people of the samurai family.

近代早期江户时代出版的具有独特的书籍制作风格的出版物被称为《江户本》。据说以菱川森信为代表的江户插画家关注的是刻本的刻本，而对刻本的文字则有所缺失。本研究首先对《江户本》“独特”的原因和本身进行了仔细的考察，结果发现，据了解，江户的文本块副本遵循了上部joruri书的风格，基本上是Jyoururibon”。此外，我比向上的版本更慷慨，有很多东西具有尖锐字母的手写风格，但他们在“大江书派”中松了一口气，这是当时的标准书体，所以在当时是严厉的。从事这些书家的人可能是武士家庭的失业者。

项目成果

江戸版の版下について

关于江户版

• 作者: 小島康敬編;中尾友香梨ほか１３名共著;母利司朗;母利司朗
• 通讯作者: 母利司朗

近世前期江戸版の本文版下

现代早期江户版的文字版

• 发表时间: 2012
• 期刊: 京都府立大学学術報告
• 作者: 小川晴久・張践・金彦鐘編;小島康敬・大橋健二・別所興一・古藤知子・中尾友香梨ほか執筆;中尾友香梨;中尾友香梨;青木歳幸・中尾友香梨ほか１３名共著;母利司朗
• 通讯作者: 母利司朗