The Beginning of Construction in the Development of Abstraction: Focusing on the Stuttgart Art Academy

本研究从阿道夫·霍泽尔的理论和实际作品两个方面考察了他的艺术，证明了他的抽象方式是建立在建筑概念的基础上发展起来的。在这种情况下，色彩的效果被认为是决定画面中重心的平衡或中心的因素，他试图直接将画面构建为一个充实的图像世界，而不是通过将对象分解或分解为元素。这种形式感和色彩感传达了他的世界观，强烈地展示了他的和谐和整体的观念。这正是他的学生，如约翰尼斯·伊滕和奥斯卡·施莱默后来给包豪斯学院带来的概念。

In this research, Adolf Hoelzel's art is examined from both sides of his theory and actual works, and it is proved that his way of abstraction develops based on the concept of construction. On that occasion, the effect of color is considered to be what determines the balance or the center of the gravity in the picture, which he tries directly to build up the picture as a fulfilled world of image, not by resolving or breaking up the object into elements. Such sense of form and color conveys his view of the world that strongly shows his concept of harmony and totality. It is the very concept that his students like Johannes Itten and Oskar Schlemmer later bring to the Bauhaus.