FKO 615: Media Upheavals. Media Cultures and Media Aesthetics at the Beginning of the 20th century and in the crossover to the 21st century

FKO 615：媒体剧变。

• 批准号: 5484990
• 金额: --
• 依托单位: Philipps-Universität Marburg
• 依托单位国家: 德国
• 项目类别: CRC/Cultural Studies Research Centres
• 财政年份: 2002
• 资助国家: 德国
• 起止时间: 2001-12-31 至 2009-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/5484990?language=en
• 关键词: FKO; 615; Media; Upheavals.; Cultures

The cultural science research unit "Media Upheavals" examines the prerequisites and structures of the media upheavals at the beginning of the 20th century and in the crossover to the 21st century, in terms of their meaning for the emergence and transformation of media cultures, and for the development of media aesthetics - while considering the technological factors involved. A guiding premise of the investigation is the observation that media upheavals suppose comprehensive, discontinuous, structural changes within media history. The expression "media upheaval" may marginalize such historiographical terms as "epoch threshold" or "turning-point" and synonyms such as "sea change" or "breakthrough". From a chronological perspective, the evolutionary processes of media history have again and again gone through the phases of an abrupt crossover into a hitherto unknown quality in terms of media development. They indicate a historically new singular level in media development and in the history of perception. It is not possible to determine the direction of such an upheaval. It can include technological factors and anthropological dimensions of the media history as well as inherited social and cultural institutions or aesthetic traditions. The target of the cultural science research unit is the contrastive comparison of the two structurally authoritative media upheavals of the 20th century, which can be defined as a breakthrough to the "analogous" media at the beginning of the 20th, and as a "digital" breakthrough at the turn of the 21st century.

文化科学研究单位“媒体剧变”考察了20世纪初和跨入21世纪的媒体剧变的先决条件和结构，以及它们对媒体文化的出现和转型以及媒体美学发展的意义，同时考虑到所涉及的技术因素。调查的一个指导前提是观察到媒体动荡假设媒体历史中全面的，不连续的，结构性的变化。“媒体剧变”一词可能会使“时代门槛”或“转折点”等史学术语以及“海洋变化”或“突破”等同义词边缘化。从时间的角度来看，媒体历史的进化过程一次又一次地经历了一个突然交叉的阶段，在媒体发展方面达到了一个迄今为止未知的质量。它们表明了媒体发展和感知史上一个历史性的新水平。要确定这种剧变的方向是不可能的。它可以包括媒体历史的技术因素和人类学维度，以及继承的社会和文化制度或审美传统。文化科学研究单位的目标是对20世纪两次结构性权威媒体剧变的对比比较，这两次剧变可以定义为20世纪初对“类比”媒体的突破，以及21世纪之交的“数字”媒体的突破。