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Cultures of Creativity and Innovation in Design

设计中的创造力和创新文化

基本信息

批准号：
AH/L008483/1
负责人：
Paul Rodgers
金额：
$ 4.5万
依托单位：
Northumbria University
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2014
资助国家：
英国
起止时间：
2014 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FL008483%2F1
关键词：
Cultures Creativity Innovation Design

项目摘要

This research will create a truly innovative, international research network that will stretch far and wide in the area of "Cultures of Creativity and Innovation in Design". The international research network coordinating body comprises Professors Paul Rodgers and Paul Jones from Northumbria University, Professor Amaresh Chakrabarti, a world-leading researcher in Design Creativity, from the Centre for Product Design and Manufacturing at the Indian Institute of Science, Bangalore and Professor Lorenzo Imbesi, an internationally-acclaimed researcher in Design Culture, from the School of Industrial Design at Carleton University, Canada. The importance of creativity in the cultural, creative and other industries and the significant contributions that creativity adds to a nation's overall GDP and the subsequent health and wellbeing of its people cannot be overstated. In Europe, the value of the cultural and creative industries is estimated at well over 700 billion Euros each year, twice that of Europe's car manufacturing industry. The value of creativity and innovation, to any nation, is therefore huge. Creativity and innovation adds real value, which enables a number of benefits such as economic growth and social wellbeing. In many societies creativity epitomises success, excitement and value. Whether driven by individuals, companies, enterprises or regions creativity and innovation establishes immediate empathy, and conveys an image of dynamism. Creativity is thus a positive word in societies constantly aspiring to innovation and progress. In short, creativity in all of its manifestations enriches society. This network seeks to gain an understanding of this dynamic ecology that creativity and innovation bring to society. Creativity is a vital ingredient in the production of products, services and systems, both in the cultural industries and across the economy as a whole. Yet despite its importance and the ubiquitous use of creativity as a term there are issues regarding its definitional clarity. A better understanding and articulation of creativity as a concept and a process would support enhanced future innovation. Socio-cultural approaches to creativity explain that creative ideas or products do not happen inside people's heads, but in the interaction between a person's thoughts and a socio-cultural context. It is acknowledged that creativity cannot be taught, but that it can be cultivated and this has significant implications for a nation's design and innovation culture. It is known that creativity flourishes in congenial environments and in creative climates. This research will examine how creativity is valued, exploited, and facilitated across different national and cultural settings as all can have a major impact on a nation's creative potential. The key aim of this network is to investigate attitudes about creativity and how it is best cultivated and exploited across three different geographical locations (UK, India, and Canada), different environments, and cultures from both an individual designer's perspective and design groups' perspectives. The network seeks to investigate cultures of creativity and innovation in design and question its nature. For instance, can creativity be adequately conceptualised in a design context? What role do cultural organisations and national bodies play in harnessing creativity? Where do the "edges" lie between creativity and innovation? Do richer environments and approaches for facilitating creativity exist? What design skills, knowledge, and expertise are required for creativity? Moreover, what are the key drivers that motivate the creativity and innovation of designers and other stakeholders? Are they economical, cultural, social, or political? This research network will host 3 workshops, each one facilitating inquiry amongst invited design practitioners, researchers, educators and other stakeholders involved in design practice.

这项研究将建立一个真正创新的国际研究网络，在“创意和设计创新文化”领域广泛延伸。国际研究网络协调机构的成员包括诺森比亚大学的Paul Rodgers教授和Paul Jones教授、班加罗尔印度科学院产品设计与制造中心的世界领先设计创意研究员Amaresh Chakrabarti教授，以及加拿大卡尔顿大学工业设计学院的国际知名设计文化研究员Lorenzo Imbesi教授。创意在文化、创意和其他产业中的重要性，以及创意对一个国家的总体国内生产总值和随之而来的人民健康和福祉的重大贡献，怎么强调都不为过。在欧洲，文化和创意产业的价值估计每年超过7000亿欧元，是欧洲汽车制造业的两倍。因此，创造力和创新对任何国家的价值都是巨大的。创造力和创新增加了真实的价值，从而带来了经济增长和社会福祉等诸多好处。在许多社会中，创造力是成功、兴奋和价值的缩影。无论是由个人、公司、企业还是区域驱动，创造力和创新都能建立即时的同理心，并传达出充满活力的形象。因此，在不断渴望创新和进步的社会中，创造力是一个积极的词。简而言之，各种形式的创造力丰富了社会。该网络旨在了解创造力和创新为社会带来的动态生态。无论是在文化产业还是在整个经济中，创造力都是产品、服务和系统生产的重要组成部分。然而，尽管它的重要性和无处不在的使用创造力作为一个术语，有问题，其定义的明确性。更好地理解和阐明创造力作为一个概念和过程，将有助于加强未来的创新。创造力的社会文化方法解释说，创造性的想法或产品不会发生在人们的头脑中，而是在一个人的思想和社会文化背景之间的相互作用中。人们承认，创造力是不能教的，但它是可以培养的，这对一个国家的设计和创新文化具有重要意义。众所周知，创造力生长在适宜的环境和创造性的气候中。这项研究将研究如何在不同的国家和文化背景下重视，利用和促进创造力，因为所有这些都可能对一个国家的创造潜力产生重大影响。这个网络的主要目的是调查对创造力的态度，以及如何在三个不同的地理位置（英国，印度和加拿大），不同的环境和文化中最好地培养和利用创造力，从个人设计师的角度和设计团队的角度来看。该网络旨在调查设计中的创造力和创新文化，并质疑其本质。例如，创意在设计环境中是否可以充分概念化？文化组织和国家机构在利用创造力方面发挥什么作用？创造力和创新之间的“边缘”在哪里？是否存在促进创造力的更丰富的环境和方法？创造力需要哪些设计技能、知识和专业知识？此外，激励设计师和其他利益相关者创造力和创新的关键驱动因素是什么？它们是经济的、文化的、社会的还是政治的？该研究网络将举办3个研讨会，每个研讨会都将促进受邀的设计从业者，研究人员，教育工作者和其他参与设计实践的利益相关者之间的调查。