Theatricality and Interrelations Between Art, Film and Theatre

点击翻译按钮获取中文摘要

The academic study of the interrelated arts - specifically those of Art, Film and Theatre - has barely emerged, even as these domains have interacted in many ways over the past 120 years. In the realm of practice, more recently there has been an increased blurring of the boundaries between these arts, as artists pursue filmmaking careers, films are exhibited in gallery spaces, and theatre productions are screened in cinema theatres. In short, while the arts themselves have converged, academic research in these domains remains stubbornly discipline-specific: Art historians rarely discuss their research with Film scholars, while, in turn, neither of these sets of scholars tends to interact to any great degree with academics in Theatre Studies. The proposed network thus aims to explore and determine the extent of the academic divisions between these disciplines. Furthermore, the network also aims to promote a discussion on policy debates relating to the funding of arts research, arts practice, and research paradigms in the arts more generally. The aim of this aspect of the project is to determine the extent to which there is cross-funding between different fields - that is, to determine the extent to which funding can be sought for projects that cross the disciplinary boundaries between Art, Film and Theatre.Finally, the project also aims to alert the wider public to such issues. By holding two public seminar / roundtable discussion, and by publishing edited videos of these events online, it is expected that some public visibility will be given to these issues; that is, the aims and impact of the project extends well beyond the boundaries of academia.The primary research purpose of the project is to initiate a multidisciplinary discussion on interrelations between the fields of Art, Film and Theatre. The network aims to address what it feels is the lack of multidisciplinary research across these areas by foregrounding a theoretical framework that will enable these varied arts to be researched and investigated in ways that attempt to break down the barriers between them. The term around which this multidisciplinary inquiry will focus is theatricality. Theatricality is a term that has been used theoretically across each of the disciplines of Art, Film and Theatre, and thus emerges as a term by means of which these fields can be brought into conversation with one another.The proposed network therefore serves to stimulate new debates and advance understanding of the interrelations between the fields of Art, Film and Theatre. In addition to opening out, and to some degree, founding, a serious discussion on the interrelations between Art-Film-Theatre, the network has the potential to radically alter the terrain on which the 'arts' are considered in three ways: (a) in terms of academic research; (b) in terms of public perceptions of the arts; and (c) in terms of arts policies and funding. With such aims in view, the network would engage with arts practitioners and policy bodies (eg. Arts Council). Overall, the network seeks to influence policy debates, academic funding of arts research, research paradigms in the arts more generally, as well as public perceptions of the interrelations between the fields of Art-Film-Theatre.The network's home is ideally situated at the Lancaster Institute for the Contemporary Arts (LICA) at Lancaster University. The three key subjects that are central to the proposed network - Art-Film-Theatre - are housed in LICA. The network will feature input from several scholars in LICA: Richard Rushton (PI; Film specialist), Prof Andrew Quick (Co-I; Theatre), Prof Sir Christopher Frayling (Film), Prof Beth Harland (Fine Art) and others. LICA was founded on a programme of exploring the relations between the arts in an interdisciplinary and multidisciplinary way.