Envisioning Dante, c. 1472-c. 1630: Seeing and Reading the Early Printed Page

设想但丁，c。

• 批准号: AH/W005220/1
• 负责人: Guyda Armstrong
• 金额: $ 102.65万
• 依托单位: University of Manchester
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2022
• 资助国家: 英国
• 起止时间: 2022 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FW005220%2F1
• 关键词: Envisioning; Dante; c.; 1472; 1630

'Envisioning Dante, c. 1472-c. 1630: Seeing and Reading the Early Printed Page' (ENVDANTE) offers the first in-depth study of the material features of the early printed page for almost the entire corpus of prints (1472-1629) of Dante's 'Comedy', using cutting-edge machine learning computational technologies and image matching in addition to book-historical, literary and art-historical approaches. Dante Alighieri (1265-1321) remains to this day one of Italy's most iconic and influential vernacular poets and is indeed a global author whose work has been translated into over 80 languages. His masterpiece, the 'Comedy', narrating the poet's journey through the realms of the afterlife - the Inferno, Purgatory, and Paradise - was one of the first vernacular books to be printed in Italy (1472) and the next 150 years saw over 50 print editions, a frequency which made it one of the most influential books in Europe. The project brings together a multidisciplinary team from the University of Manchester (the School of Arts, Languages and Cultures and John Rylands Research Institute and Library [JRRIL]), and the University of Oxford (the Faculty of Medieval and Modern Languages and the Visual Geometry Group in Engineering) to work on a uniquely rich and almost complete corpus of early printed books. The JRRIL holds one of the most complete collections of Renaissance Dante prints in the world, containing all but three editions printed in the period. ENVDANTE uses this unique corpus of Dante prints in order to explore the possibilities of digital technologies to provide new perspectives on the mechanics and dynamics of premodern book design, print production, transmission, and reception. These tools will be brought together with qualitative approaches to reconceptualize the printed page and its constituent parts, as a physical and digital object, tracing its graphic evolution through time, territories, and media. The project will map and explore the fullest possible range of Dante editions, from the smallest pocket-sized ones to large study books with multiple commentaries and cycles of illustrations. ENVDANTE will conduct its analyses across a broad chronology, and then interrogate that production as a whole to address questions of page design, the use of images, the role of paratexts, the place of readers' annotations, and the social worlds of print and their networks. The project aims to define the contours of an interdisciplinary field of study that will appeal to historians of different subjects (literature, language, art, print and scribal culture) as well as to digital humanists and computer scientists. It re-evaluates the entire early print corpus of this globally influential poet, and makes a major methodological intervention on the practices and principles of early modern book design in the broadest sense. It is envisaged that the project's pioneering use of technologies and multidisciplinary approach will offer new models and methods for future studies of the book, its history, its uses and relationship with digital media. In addition to academic dissemination through conferences and scholarly publications, the project will produce the Manchester Digital Dante Library, a freely available online digital library of some 99 editions of Dante printed between 1472 and 1629 (the first such library of its kind globally), with online surrogate editions accompanied by metadata and additional contextual information. Other outputs include a digital exhibition and online data visualizations, as well as the facility for scholars, librarians and other interested parties to test and use our computational tools. Enhanced catalogue entries (surfaced to a worldwide audience), and a series of engagement workshops with curators and librarians, graphic designers and print practitioners, along with local photography communities and local history groups, will ensure the broadest possible reach for the project.

“Envisioning Dante，c. 1472-c。1630：《看见和阅读早期印刷页》（ENVDANTE）首次深入研究了但丁《喜剧》几乎整个印刷品（1472-1629）的早期印刷页的材料特征，除了书籍历史、文学和艺术历史方法外，还使用了尖端的机器学习计算技术和图像匹配。但丁·阿利吉耶里（1265-1321）至今仍是意大利最具代表性和影响力的白话诗人之一，也是一位全球性的作家，其作品已被翻译成80多种语言。他的代表作《喜剧》讲述了诗人穿越地狱、炼狱和天堂的来世之旅，是在意大利印刷的第一部白话书（1472年），在接下来的150年里，有50多个印刷版本，这一频率使其成为欧洲最有影响力的书籍之一。 该项目汇集了来自曼彻斯特大学（艺术，语言和文化学院和John Rylands研究所和图书馆[JRRIL]）和牛津大学（中世纪和现代语言学院和工程视觉几何组）的多学科团队，致力于研究一个独特丰富且几乎完整的早期印刷书籍语料库。JRRIL拥有世界上最完整的文艺复兴时期但丁版画收藏品之一，其中包括该时期印刷的所有版本，但有三个版本。 ENVDANTE使用这一独特的但丁版画语料库，以探索数字技术的可能性，为前现代书籍设计，印刷生产，传播和接受的机制和动态提供新的视角。这些工具将与定性方法结合在一起，将印刷页面及其组成部分重新概念化，作为物理和数字对象，通过时间，地域和媒体追踪其图形演变。该项目将绘制和探索但丁版本的最大可能范围，从最小的口袋大小的，以大型学习书籍与多个评论和插图周期。ENVDANTE将在一个广泛的年表中进行分析，然后将其作为一个整体进行询问，以解决页面设计，图像使用，副文本的作用，读者注释的位置以及印刷的社会世界及其网络等问题。 该项目旨在确定一个跨学科研究领域的轮廓，这将吸引不同学科（文学，语言，艺术，印刷和抄写文化）的历史学家以及数字人文主义者和计算机科学家。它重新评估了这位具有全球影响力的诗人的整个早期印刷语料库，并在最广泛的意义上对早期现代书籍设计的实践和原则进行了重大的方法论干预。据设想，该项目对技术和多学科方法的开创性使用将为未来对该书、其历史、其用途以及与数字媒体的关系的研究提供新的模式和方法。 除了通过会议和学术出版物进行学术传播外，该项目还将建立曼彻斯特但丁数字图书馆，这是一个免费提供的在线数字图书馆，收录了1472年至1629年期间印刷的约99个版本的但丁作品（全球首个此类图书馆），并附有元数据和其他上下文信息的在线替代版本。其他成果包括数字展览和在线数据可视化，以及学者，图书馆员和其他感兴趣的各方测试和使用我们的计算工具的设施。增强的目录条目（面向全球受众），以及与策展人和图书管理员、平面设计师和印刷从业者以及当地摄影界和当地历史团体沿着举办的一系列参与讲习班，将确保该项目尽可能广泛地覆盖。