How can the book as a physical object influence and be part of the process of storytelling through its narrative structure

我研究的中心目标是深入研究实体书籍，并发现新的方法，使设计能够将容器转化为内容的一个活跃部分，从而使读者对书籍产生新的兴趣，将其作为一个整体阅读对象，而不仅仅是印刷在页面上的文本。为了解决这个问题，这个项目的一个要点是分析作者和读者之间通过书的叙事结构建立的关系，并理解这会以何种方式影响对象的形式和概念。研究将基于三种策略，通过历史和理论研究，将拆解和深入研究这本书的概念，同时关注艺术实践，实验作家和设计师，他们参与了这些领域，以帮助探索在叙事过程中有时被忽视的元素和关系。艺术实践将逐渐在研究中发挥重要作用，作为研究艺术家，特别是当代艺术家如何解释艺术家与公众之间联系的一种手段。

The central aim of my study will be to look in profundity at the physical book anduncover new ways in which design can convert that container into an active part of itscontent, and consequently generate a renewed interest in the book, as a whole readingobject and not only as text printed on pages, from an audience nowadays accustomedto a growing visual and fast-paced technological environment.In order to address this matter, an essential point of the project will be to analyze therelationship that establishes between writer and reader through the narrative structureof the book and understand in what ways this can influence the form and concept ofthe object. The research will be based upon three strategies that, through historical andtheoretical studies, will dismantle and delve into the concept of the book, whilst lookingat art practices, experimental writers and designers who have engaged with theseareas, to help explore elements and relationships that are sometimes overlooked in thenarrative process. Art practices will, gradually and consequently, play a major role inthe research, as a means to study the way in which artists, an especially contemporaryartists, have interpreted the connection between artist-public.