Memory, nostalgia, and the (post)nuclear: French, German, and British cultural representation after Hiroshima and Chernobyl.

记忆、怀旧和（后）核：广岛和切尔诺贝利之后法国、德国和英国的文化代表。

• 批准号: 2457976
• 金额: --
• 依托单位: University of Sheffield
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2457976
• 关键词: Memory; nostalgia; post; nuclear; French

This project investigates whether the aftermath of nuclear disasters and fears of an atomic apocalypse can be connected to, and understood as, a consistent cultural anxiety that circulates transnationally, recurs over time, and is expressed in fiction. Through close readings of French, German, and British audio-visual productions post-Hiroshima (from the 1950s and 1960s) and post-Chernobyl (from the 2010s), as well as building upon original research I have conducted at National Arts Education Archive (at Yorkshire Sculpture Park), these diverse representations will be compared critically through concepts of memory and nostalgia.

这个项目调查核灾难的后果和对原子末日的恐惧是否可以与一种持续的文化焦虑联系在一起，并被理解为这种持续的文化焦虑在全国范围内流通，随着时间的推移反复出现，并在小说中表达。通过仔细阅读广岛后(20世纪50年代和60年代)和切尔诺贝利后(2010年代)的法国、德国和英国的视听作品，以及我在约克郡国家艺术教育档案馆(约克郡雕塑公园)进行的原始研究，这些不同的表现形式将通过记忆和怀旧的概念进行批判性的比较。