Memory, nostalgia, and the (post)nuclear: French, German, and British cultural representation after Hiroshima and Chernobyl.

记忆、怀旧和（后）核：广岛和切尔诺贝利之后法国、德国和英国的文化代表。

• 批准号: 2457976
• 金额: --
• 依托单位: University of Sheffield
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2457976
• 关键词: Memory; nostalgia; post; nuclear; French

This project investigates whether the aftermath of nuclear disasters and fears of an atomic apocalypse can be connected to, and understood as, a consistent cultural anxiety that circulates transnationally, recurs over time, and is expressed in fiction. Through close readings of French, German, and British audio-visual productions post-Hiroshima (from the 1950s and 1960s) and post-Chernobyl (from the 2010s), as well as building upon original research I have conducted at National Arts Education Archive (at Yorkshire Sculpture Park), these diverse representations will be compared critically through concepts of memory and nostalgia.

这个项目调查核灾难的后果和对原子末日的恐惧是否可以连接到，并被理解为，一种持续的文化焦虑，这种焦虑在跨国传播，随着时间的推移而反复出现，并在小说中表达。通过近距离阅读法国，德国和英国的视听制作后广岛（从20世纪50年代和60年代）和后切尔诺贝利（从2010年代），以及在原有的研究基础上，我已经在国家艺术教育档案馆（在约克郡雕塑公园）进行，这些不同的表示将通过记忆和怀旧的概念进行批判性比较。