The medieval Occitan tensos and partimens

中世纪的游吟诗人最出名的是他们的“发明”的宫廷爱情和高度制作的宫廷canso或爱情抒情诗，并在较小程度上他们的歌曲的社会政治评论，庆祝但丁在他的喜剧和De Vu！gari Eloquentia和影响欧洲广泛的文学和感性从中世纪到今天。不太为人所知的是他们的时态和partimens，或对话诗。这些作品之所以有趣，有几个原因：它们的手稿流传方式似乎与坎索斯和其他主要体裁（讽刺性的sirventes）有很大不同;它们使我们更接近对话者的日常生活和语言。几十年前，约翰·马歇尔教授开始对这173首作品的全部语料进行新的评论版，但在20世纪80年代，由于视力下降而无法继续。2000年，他把所有的材料交给了露丝·哈维和琳达·帕特森，他们负责更新和完成他的版本。他们被授予英国科学院赠款的试点研究，随后由AHRC资源增强计划，这使他们能够聘请两个非常高素质的研究助理从意大利，博士安娜Radaelli和博士克劳迪奥弗兰奇三年的赠款。这项事业的规模是这样的，合作也已寻求其他学者，和贡献者的个人或小组的文本版本工作，现在包括教授沃尔特梅利加和朱塞佩注意到都灵大学，两名意大利研究生的监督下，沃尔特梅利加，和博士后研究员。希望与Edizione deii'Orso（都灵）一起出版三卷本，并将文本放在那不勒斯大学运营的Rialto网站（www.rialto.unina.it）上。

The medieval troubadours are best known for their 'invention' of Courtly Love and the highly wrought courtly canso or love lyric, and to a lesser extent their songs of sociopolitical comment, celebrated by Dante in his Commedia and De Vu!gari Eloquentia and influencing European wide literature and sensibility from the Middle Ages to the present day. Less well known are their tenses and partimens, or dialogue poems. These are of interest for a number of reasons: their manuscript transmission seems to differ significantly from that of the cansos and the other principal genre, the satirical sirventes; and they bring us much closer to the ordinary lives, and language, of their interlocutors. Some decades ago Professor John Marshall embarked on a new critical edition of the entire corpus of these 173 pieces, but in the 1980s was unable to continue because of failing eyesight. In 2000 he handed over all his materials to Ruth Harvey and Linda Paterson who have undertaken to update and complete his edition. They were awarded a British Academy grant for a pilot study, followed by a three year grant from the AHRC Resource Enhancement Scheme, which has enabled them to hire two very highly qualified research assistants from Italy, Dr Anna Radaelli and Dr Claudio Franchi. The size of the undertaking is such that collaboration has also been sought from other scholars, and contributors working on editions of individual or small groups of texts now include Professors Walter Meliga and Giuseppe Note of the University of Turin, two Italian postgraduate students under the supervision of Walter Meliga, and a postdoctoral researcher. It is hoped to publish the edition in three volumes with the Edizione deii'Orso (Turin), and also to place the texts on the Rialto website run by the University of Naples (www.rialto.unina.it).