The fabrication of three dimensional art and craft artefacts through virtual digital construction and output

通过虚拟数字构建和输出制作三维艺术和工艺品

• 批准号: AH/D503310/1
• 负责人: Stephen Hoskins
• 金额: $ 35.77万
• 依托单位: University of the West of England
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2007
• 资助国家: 英国
• 起止时间: 2007 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FD503310%2F1
• 关键词: fabrication; three; dimensional; art; craft

The research project seeks to link 3D digital image construction with the output of 3D objects using commercially designed rapid prototyping technology. The study is undertaken from the perspective of the artist/crafts person and seeks to adapt its generic, intermediary, industrial role as a tool for creation of temporary prototypes to the production of one off, permanent bespoke or limited edition artefacts. As the current generation of this technology has now become more affordable to the fine art practitioner, there is much scope for ammassing industrial insights, and combining them with objectives and insights central to art and craft production in order to establish and articulate a new dimension to the field. In order to Illustrate these principles, this project aims to pursue the problem from the perspective of the fine art ceramicist, adapting the printing mechanism of 3D print output to print clay bodied pieces that can be fired to produce permanent ceramic objects, in undertaking this task, the study will comprehensively test how a workflow relating to the design and output of permanent objects from the printer can be achieved using parameters that fulfil and extend traditional craft making procedures. In addition to this, the research will investigate the technologies latest capacity for printing objects in a full range of colour to formulate a unique procedure for incorporating ceramic making and decoration as a simultaneous function

该研究项目旨在利用商业设计的快速原型技术将3D数字图像构建与3D物体的输出联系起来。该研究是从艺术家/工艺人员的角度进行的，并寻求将其作为创建临时原型的工具的通用，中介和工业角色适应于一次性，永久定制或限量版人工制品的生产。由于当前这一代技术对于美术从业者来说已经变得更加实惠，因此积累工业见解并将其与艺术和工艺生产的核心目标和见解相结合，以建立和阐明该领域的新维度，有很大的空间。为了说明这些原则，本项目旨在从美术陶艺家的角度来追求这个问题，在承担这个任务时，采用3D打印输出的打印机制来打印可以烧制的粘土体块，从而制作永久性的陶瓷制品。该研究将全面测试如何使用满足和扩展传统工艺制作程序的参数来实现与打印机永久物体的设计和输出相关的工作流程。除此之外，该研究还将研究以各种颜色打印物体的最新技术能力，以制定一种将陶瓷制作和装饰作为同时功能的独特程序

项目成果

3D printing for Artists 2nd Edition

艺术家 3D 打印第二版

• 发表时间: 2018
• 作者: Hoskins. S

Further developments in the digital fabrication of ceramic artworks

陶瓷艺术品数字化制造的进一步发展

• 发表时间: 2009
• 期刊: International Conference on Digital Printing Technologies and Digital Fabrication
• 作者: Huson D A

In search of the impossible ceramic object

寻找不可能的陶瓷物体

• 发表时间: 2007
• 期刊: IS&T International Conference on Digital Fabrication Technologies
• 作者: Huson D A

3D printing in colour: technical evaluation and creative applications

彩色3D打印：技术评估和创意应用

• 发表时间: 2011
• 期刊: Impact 6 Proceedings
• 作者: Huson D A

3D printing and colour: A multidisciplinary investigation

3D 打印和色彩：多学科研究

• 发表时间: 2011
• 期刊: Impact 6 Proceedings
• 作者: Huson D A