Genre and confessional strife: Nuremberg-Antwerp 1500-1570. From Dürer and the Beham Brothers to Dirk Vellert and Jan van Amstel.

该项目的主要目的是了解丢勒之后的纽伦堡流派艺术如何影响当代安特卫普的流派主题，特别是新兴的流派绘画艺术。这是通过三个层次的方法来实现的，重点是1500年至1570年间从纽伦堡到安特卫普的材料运输和体裁主题的图像转移，以及宗教典故中的“贸易”。 到目前为止，纽伦堡作品的创作冲动、新奇和影响力还没有得到系统的研究，它在流派绘画发展中所起的重要作用也没有得到充分的承认。这个话题的研究特别关注忏悔冲突，因为那个时期的流派艺术远非简单地描绘“现实”，总是传达宗教的响应。神学的潜台词和意义

The main aim of the project is to gain information about the way Nuremberg genre-art in the wake of Dürer influenced the production of genre-motifs in contemporary Antwerp, and especially the emerging art of genre-painting. This is achieved by a three-level approach, focussing on material transport and iconographic transfer of genre-topics from Nuremberg to Antwerp between 1500 and 1570 as well as on the "trade" in religious allusions. So far, the creative impulse, novelty and influence of the Nuremberg production hat not been systematically researched and neither has the considerable role it played in the development of genre-painting been sufficiently acknowledged.The topic is investigated with special regard to confessional conflicts, as genre-art at that period, far from simply depicting 'reality', always conveys religious resp. theological subtexts and meanings.