FORMATION OF THE BUDDHIST CAVE TEMPLE

1.这个项目的主要目的是试图理解石窟寺反映了一个特定的历史社会与人文学科的各个学科的整体形象。它也站在批评那些谁处理石窟寺作为当地文化的统一性。2.与数字化洞穴寺庙的黑白白色照片和阿富汗巴米扬，Foladeh，Kakrak等壁画的彩色照片同时进行。和Fil Khana，成功地分析了巴米扬洞穴的结构，并与龟兹和其他中亚的例子进行了比较.对塔克西拉佛教寺院的总体建筑重新评估是从类型学的角度出发，重新审视每一座礼拜建筑的砖石结构与寺院总体规划的关系。这部作品似乎成功地按时间顺序重新安排了各个时代的佛教活动，特别是在寺庙的视觉方面，并更好地了解了寺院生活的一般发展。关于巴米扬举行宗教仪式的日期，人们给出的说法各不相同，但都没有确凿的证据。这个赠款项目使人们有可能接触到所有的中国和穆斯林文学资料，因此，巴米扬的历史情况可能会从这些证据中出现。这为确定巴米扬的新日期提供了便利，该日期与其他重要事项一起在一本单独的小册子中公布。

1. The main aim of this project is to try to understand the cave monastery as reflecting an overall image of a certain historical society in association with various disciplines of the humanities. It also stand on the criticism of those who deal with cave monasteries as local cultural unity.2. In parallel with digitalizing the black/white photographs of cave temples and the color photographs of the mural paintings in Afghanistan such as Bamiyan, Foladeh, Kakrak . and Fil Khana, the structure of caves in Bamiyan was successfully analyzed in comparison with those in Kucha and other Cental Asian examples.3. The overall architectural reassessment of the Taxila Buddhist monaseries has been set out typologically reexamining the masonries of each cult building in relation to the general planning of monasteries. The work seems successful for a chronological rearrangement of Buddhist activities throughout ages especially in the visual aspect of temple, and for a better understanding of general development of monastic life.4. The date of the colossi in Bamiyan has variously been given without firm ground of evidence. This grant-in-aid project has made it possible to get access to all of the Chinese and Muslim literary sources and therefore a historical circumstance of Bamiyan has potentially emerged from such evidence. This has facilitated a new date for Bamiyan, which is published together with other important things in a separate booklet.